Your Invincible Starter

A good starter set has to do a number of different things. It has to introduce and explain the roleplaying game it is a starter set for, whether that is the roleplaying game’s setting, mechanics, or both. It has to both tell and show what the players and their characters are expected to do in the setting and how they do it, first with the rules and then with a scenario. It has to provide everything that a group needs to play—rules, scenario, pre-generated Player Characters, and dice—and ideally more. Maps, handouts, tokens, and the like are all items that will help bring the world of the roleplaying game’s setting to life and give the players something to look at and interact with. Above all, a good starter should showcase the roleplaying game and entice both Game Master and her players to want to roleplay more with the rules and in that setting by picking up the core rulebook, and if the contents of the start set support continued play, whether that is providing an extra set of dice or maps for the setting, then all the better.

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In a world of superheroes, events on Earth are about to change. The planet’s most powerful superhero, ‘Omni-Man’ has been revealed as the killer of Earth’s premier superhero team, the Guardians of the Globe and when confronted by his teenage son, ‘Invincible’, almost killed him. Thousands of civilians died too, and in the aftermath, ‘Omni-Man’ fled the planet. In the wake of these events, the Global Defence Agency, operating from a secret base under the Pentagon, a secret organization that safeguards the world from the shadows and keeps a close watch over all superpowered activity, is forced to take a pro-active stance. It is recruiting superpowered individuals to protect against superpowered criminal activities, alien invasions, and so on. This is the set-up for Invincible – Superhero Roleplaying and specifically, the Invincible – Superhero Roleplaying Starter Set. Published by Free League Publishing, both are based on Invincible, the American comic book series written by Robert Kirkman and illustrated by Cory Walker and Ryan Ottley, and published by Image Comics, and subsequently developed as a television series on Amazon Prime. Invincible – Superhero Roleplaying is a departure for Free League Publishing since presents a genre that the publisher has not previously explored.

The Invincible – Superhero Roleplaying Starter Set is the introduction to the setting and the rules for the roleplaying game. Open up the box and inside can be found a full set of ten six-sided Invincible – Superhero Roleplaying dice, ten Initiative cards, ten Social Scene cards—one each for five of the pre-generated Superhero characters included in the box, and a pack of twelve stands for the standees also in the box. Below this there is a ‘Read me First’ sheet which explains what is in the box, what the Game Master and her players need to do next, and once the contents of the Invincible – Superhero Roleplaying Starter Set have been played through where they should look. Underneath this is the twenty-two page ‘Invincible – Superhero Roleplaying Rules’ book, thirty-six page ‘Metro Mayhem’ scenario book, five Reference Cards, a thirty-four by twenty-two inch, double-sided poster map, thirty-two standees for the heroes and their adversaries, and a set of action tokens. The Invincible – Superhero Roleplaying Starter Set does carry a minimum age of sixteen plus as the source material is often brutal and bloody.

The ‘Invincible – Superhero Roleplaying Rules’ book introduces the set properly and quickly explains what it is, the basics of the setting, the use of safety tools, and its play structure, which divides its scenes into three types. ‘Briefings’ are when the superheroes are told about their mission, ‘Action’ scenes focus on combat and action, and ‘Social’ scenes are where the bulk of the roleplaying and interaction takes place. The ‘Invincible – Superhero Roleplaying Rules’ book includes a set of Social Scene cards that can be used during the scenario to initiate scenes and interactions appropriate to each superhero. These cards each give two options and enable a player to explore the agenda and hopes of the superhero that he is playing. It then breaks down how a superhero is defined. He has a role, six attributes, several derived stats, plus Powers, Talents, Drawbacks, Personal Details, Resources and Gear, and reputation. The eight Roles are Blaster, Brains, Brawn, Controller, Defender, Leader, Striker, and Wildcard, and they define how a superhero operates, but provides no mechanical benefit. The six attributes are Fighting, Agility, Strength, Reason, Intuition, and Presence, and they range in value between ‘1’ or ‘Poor’ and ‘12’ or ‘Invincible’. A superhero’s Powers, Talents, and Drawbacks will vary from superhero to superhero, but the options available are not explored in the Invincible – Superhero Roleplaying Starter Set. Instead, they limited to those presented on the pre-generated superheroes and thus enough to play through the given scenario. Personal Details encompasses a superhero’s Occupation, Personality, Drive, Flaw, and Key Relationships.

Mechanically, Invincible – Superhero Roleplaying uses the Year Zero Engine, first seen in Mutant: Year Zero – Roleplaying at the End of Days. To have a superhero undertake an action, his player rolls a number of dice equal to the appropriate attribute value. The Game Master can add or deduct dice depending on the difficulty of the task, whilst Gear used and the support from allies can add dice. Each roll of a six is counted as a Success and only a single Success is required to succeed at most tasks. If more Successes are rolled, these can be used to gain bonus effects called stunts. These can be used to have a superhero to complete the task quickly or quietly, learn something new, and help a friend by passing him a Success if they are working on a similar project. However, if no Success are rolled, the Superhero has failed and that failure should ideally have dramatic effects. Alternatively, the player can choose to Push the roll. When this happens, the player rerolls any dice which do not show a one or a six. Whether the roll is a success or a failure, the Superhero suffers a point of Stress for each one rolled overall.

Conflict in Invincible – Superhero Roleplaying uses the same core mechanics. Initiative uses a deck of cards numbered from one to ten, and extra cards may need to be drawn if a Superhero has additional actions. In a round, a Superhero can perform a Full Action and a Quick Action or two Quick Actions. A Full Action is a Slugfest, Charge, or Shooting attack, using a superpower, breaking or lifting something, saving bystanders, and so on. Quick Actions can be to move into an adjacent zone, blocking a slugfest attack or dodging a shooting attack, engaging in banter, and more. Some of the Quick Actions can be used to interrupt the actions of an opponent and they can be saved for this purpose to use later in a round. A combatant can also give an Order to grant extra dice to an ally’s action. Movement can be on the ground and in the air with different elevations counted as separate zones. The action also allows for smashing through doors and walls. In a Slugfest attack, extra Successes can be spent on Stunts including Double Damage, Knockback, Stun, Bang Heads, Trap, Disarm, and Deadly Hit, and Special Stunt. Those for Shooting attacks include Double Damage, Suppressed, Trick Shot, Disarm, and Deadly Hit. A player is also free to create his own Stunts and use with the Game Master’s permission. Armour reduces damage, but when a combatant’s Health is reduced to zero, he is broken and suffers a Critical Injury. Critical Injuries can be inflicted without reducing a combatant’s Health to zero. Critical Injuries take weeks or months to recover from, but Health is recovered faster. A combatant can suffer Stress, often from a Banter Action in combat, but primarily through the use of a Superhero’s Powers. When a Superhero’s Resolve is reduced to zero due to Stress, he is stressed out, cannot use any Superpowers which require Stress to be gained or push any rolls.

The rules also cover minions, challenges, and other hazards. Notably, a Superhero can use a Slugfest attack to ‘Wreck a Zone’, the Superhero or Supervillain ripping up objects and using them to hit, throw at, or smash an opponent. This grants bonus dice to an attack, means the attack can be made into an adjacent zone, and completely wrecks the zone, meaning it cannot be wrecked again. It requires a minimum Strength wreck certain types of terrain and this means it is possible to level office interiors, city streets, and whole buildings! Just like we see in superhero films, Invincible – Superhero Roleplaying allows for the possibility that a fight between superpowered individuals is not without its consequences.

The Invincible – Superhero Roleplaying comes with six pre-generated Superheroes ready to play. They are Atom Eve who can manipulate matter; Bulletproof who can absorb damage to boost his combat skills; Monster Girl, who transforms into a monstrous troll-like creature due a curse, but gets younger when she transforms back; Rex Splode, who has a blast attack and can leap great distances; Robot, a construct who has great reasoning and can analyse a situation and create a plan to support his allies; and Invincible, who is half-alien and can fly and is tough and lucky. Of the six, Invincible does not have Social Scene cards, so his player will need to suggest situations or scenes when can reduce his Stress. All of the details on each character sheet are clear presented. For example, “BLAST: You can perform a shooting attack with Damage 3, Range 0/3.” is Atom Eve’s direct attack form, whilst she has the Talent of “KNOWLEDGEABLE (NATURAL SCIENCES): You get +3 dice to REASON rolls to recall, find, or understand information related to physical sciences like biology, chemistry, astronomy, genetics, physics, and geology.” For the most part, the Powers for all six pre-generated Superheroes are straightforward and easy to understand, and most of them are quite direct in their effects. Of those that are not, Robot’s superpowers are supportive in nature and will require some consideration in how they are used in play to best support the other Superheroes.

The events of the ‘Metro Mayhem’ scenario book take place after Invincible has been defeated by his father, Omni-Man, leaving him to recover from his injuries whilst he flees the planet. Global Defence Agency asks the Superheroes to investigate the activities of the Mauler twins, hyperintelligent criminals who do not know which one of them is other’s clone, following their escape from Stronghold Penitentiary. The scenario begins with a briefing before being divided into three acts. The first two Acts have an Action Scene each, followed by Social Scene—when the Social Scene cards can be used to set-up particular scenes, whilst the Action Scene of the third Act is followed by the epilogue. The story takes the Superheroes first to warehouse to investigate the activities of the Mauler Twins, followed by a confrontation with the supervillain behind it all, and concludes with dealing with the consequences of the supervillain’s plan. It is an exciting affair, with the Superheroes having the chance to save scientists and civilians, fight supervillains, and ultimately go up against kaiju, all with a little time in between for some roleplaying and interaction. All of which is played out on the maps, one side showing individual locations where Acts One and Two take place, and the cityscape where Act Three occurs.

Physically, the Invincible – Superhero Roleplaying Starter Set is very well presented. All of the components are decent quality and both the rules and the scenario are written in a clear fashion that makes it all easy to grasp and understand. Backed up, of course, by plenty of artwork from the comic book series that gives it a Four Colour style contrasting with its often bloody scenes of conflict. Many of the components can be used beyond the playthrough of the Invincible – Superhero Roleplaying Starter Set, including the dice, reference sheets, and standees and counters. This makes it a good utility pack for Invincible – Superhero Roleplaying as much as it does an introduction.

The honest truth is that the Superhero genre is not one that most people thought that the Year Zero Engine would ever try to tackle. The Invincible – Superhero Roleplaying Starter Set shows that it can work, the result being a fast-playing, bruising, knockabout system that gives the players and their Superheroes lots of dice to roll and lots of Powers and Stunts to choose from, and so lots of options. The core mechanic is simple—in fact simpler than most Year Zero Engine roleplaying games—and where the roleplaying game’s complexity does come, is in those choices and the spending of the extra Success to choose Stunts. So, a player will need a little time to not only understand how the Stunts work, but primarily how his Superhero’s powers work. Of course, this is like almost any other roleplaying game, but in a superhero roleplaying that is intended to be fast-playing as Invincible – Superhero Roleplaying Starter Set is, the Invincible – Superhero Roleplaying Starter Set almost needs a training mission to get the players used to their Superheroes and their choices.

Ultimately, the Invincible – Superhero Roleplaying Starter Set is a great introduction to Invincible – Superhero Roleplaying and the world of Invincible. It presents everything necessary to play in its bruising, knockback, and sometimes bloody world using surprisingly simple rules, but giving players and their Superheroes plenty of choices when it comes to their actions.

Your SHIVER Blockbuster Starter

A good starter set has to do a number of different things. It has to introduce and explain the roleplaying game it is a starter set for, whether that is the roleplaying game’s setting, mechanics, or both. It has to both tell and show what the players and their characters are expected to do in the setting and how they do it, first with the rules and then with a scenario. It has to provide everything that a group needs to play—rules, scenario, pre-generated Player Characters, and dice—and ideally more. Maps, handouts, tokens, and the like are all items that will help bring the world of the roleplaying game’s setting to life and give the players something to look at and interact with. Above all, a good starter should showcase the roleplaying game and entice both Game Master and her players to want to roleplay more with the rules and in that setting by picking up the core rulebook, and if the contents of the start set support continued play, whether that is providing an extra set of dice or maps for the setting, then all the better.

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“Welcome to Hollow World!” With this announcement, tech billionaire Linus Crick welcomes some of the world’s leading archaeologists and adventurers, park rangers and hunters, scientists and security experts, influencers and superfans, rebels, saboteurs, and green protestors to his greatest creation yet, a wonder of the age that showcases the wonders of the past! A theme park like no other. A theme park with dinosaurs. Real, living dinosaurs recreated through the wonders of genetic engineering. All the white-suit wearing entrepreneur his with perfectly coiffured hair and his shiny sunglasses, wants is to be endorsed and his venture to be a success. Or does he? Is setting up a dinosaur safari park beneath the Antarctic Longhorn Island enough for Crick? Will grizzled archaeologist Madison Stone, park ranger Obasi Mbacke, palaeontologist Doctor Hana Ueno, new wave scientist Malcolm Goldstein, eco-warrior Petal Moon, neanderthal clone Ug Ug, and dinosaur superfan Billy Wazowski discover if Crick is all he says he is or if he has ulterior motives? Will they survive long enough deep below the Antarctic when disaster strikes, everything goes wrong, and raptors attack to exit through the gift shop to safety?

This is the set-up for ‘Welcome to Hollow World’, the scenario in the SHIVER Blockbuster Starter Set, one of two themed starter sets published by Parable Games for SHIVER – Role-playing Tales in the Strange & the Unknown. The other is the SHIVER Slasher Starter Set. More specifically, the SHIVER Blockbuster Starter Set ties in with the campaign supplement, SHIVER Blockbuster: Legends of the Silver Scream, in which the Player Characters are actors working for a small film studio in Hollywood, trying to make some blockbusters, get notice, and prove how good—or bad—they are and make Hollywood sit up and take notice! Effectively, in SHIVER Blockbuster: Legends of the Silver Scream, each player is roleplaying an actor who is playing a role in five different films, so five times—and slightly more—the roleplaying as in any other campaign or roleplaying game, unless they always play the same role and play it to the camera. Then, the best thing of all, a roleplaying game like Shiver – Role-playing Tales in the Strange & the Unknown and thus SHIVER Blockbuster: Legends of the Silver Scream, has got a budget bigger than any Hollywood studio. So, it can make any film and it will never blow the budget!

That budget though, does not get any bigger than ‘Welcome to Hollow World’. For make no mistake, ‘Welcome to Hollow World’ is a remake (or pastiche) of a 1993 film with a budget of $63 and a box office of a billion dollars! It should be no surprise to anyone reading this review that the film in question is Jurassic Park. There are a lot of plot similarities. A remote island, a genial billionaire, a sick stegosaurus to be found and cured, being chased by velociraptors, and a showdown in the visitor centre. Plus many of the pre-generated Player Characters are similar to the characters in the film. Some are not though, and further, there are plenty of scenes in the scenario along with a plot thread about the nefarious Crick (a nod to the co-discoverer of the structure of DNA), for ‘Welcome to Hollow World’ to not feel like they just recreating Jurassic Park. The scenario maintains a pleasing balance between the familiar and the unfamiliar so the players and their characters can knowingly play along with the pastiche in some scenes and then improvise as they normally would in other roleplaying scenarios.

The structure of the scenarios includes some well handled introduction scenes for each Player Character so that we get to see them in action before the plot gets rolling. Much like the film its takes its inspiration from, the early part of the scenario is on rails as they take a guided tour round the park. After that though, the players and their characters have more freedom.

The SHIVER Blockbuster Starter Set contains two books, the ‘SHIVER Starter Rulebook’ and the ‘Welcome to Hollow World’ scenario book, a set of seven pre-generated Player Characters, and a complete set of SHIVER dice. The ‘SHIVER Starter Rulebook’ is a concise version of SHIVER – Role-playing Tales in the Strange & the Unknown rulebook and contains all of the rules necessary to run and play ‘Welcome to Hollow World’. Player Characters in SHIVER can advance up to Tier Ten, but the ‘SHIVER Starter Rulebook’ only goes up as far as Tier Five. The SHIVER dice are of course, required to play, and one advantage of the SHIVER Blockbuster Starter Set is that once the scenario has been played through, the gaming group has another set of dice to continue playing the roleplaying game.

The seven pre-generated Player Characters in the SHIVER Blockbuster Starter Set match the roleplaying game’s seven Archetypes—the Warrior, the Maverick, the Scholar, the Socialite, the Fool, the Weird, and the Survivor—and each emphasises one of the six Core Skills and gives access to several Tiers of Abilities. The six Core Skills—effectively both skills and attributes—are Grit, Wit, Smarts, Heart, Luck, and Strange. Grit represents a character’s physical capabilities; Wit covers physical dexterity; Smarts is his intellect and capability with investigation and technology; Heart is his charisma and charm; Luck is his good fortune and the random of the universe; and Strange is his capacity for using magic, psychic powers, and so on. A Player Character also has a Luck Bank for storing Luck—one for all Archetypes, except for the Fool, who has space for three; a current Fear status—either Stable, Afraid, or Terrified; and a Lifeline—Weakened, Limping, Trauma, and Dead—which is the same for all Archetypes.

Mechanically, SHIVER uses a dice pool system of six-sided dice, their faces marked with the symbols for the roleplaying game’s six Core Skills—Grit, Wit, Smarts, Heart, Luck, and Strange. To these are added Talent dice, eight-sided dice marked with Luck and Strange symbols. When a player wants his character to undertake an action, he assembles a dice pool based on the action and its associated Core Skill plus Talent dice if the character has in that Core Skill. Further dice can be added or deducted depending on whether the Player Character has Advantage or Disadvantage, an Ability which applies, or the player wants to spend his character’s Luck, and on the character’s Fear status. The aim is to roll a number of symbols or successes in the appropriate Core Skill, the Challenge Rating ranging from one and Easy to five and Near Impossible. If the player rolls enough, then his character succeeds; if he rolls two Successes more than the Challenge Rating, it is a Critical Hit; and if a player rolls three or more dice and every symbol is a success, this is Full House. In combat, a Critical Hit doubles damage and a Full House triples it, but out of combat the Director can suggest other outcomes for both. If Luck symbols are rolled, one can be saved in the Player Character’s Luck Bank for later use, but if two are rolled, they can be exchanged for a single success on the current skill roll, or they can be used to turn the Doom Clock back by one minute.

A failed roll does not necessarily mean that the Player Character fails as he can use other means to succeed at the task if he rolls enough successes in another Core Skill for that task, though this requires some narrative explanation. However, a failed roll has consequences beyond simply not succeeding—each Strange symbol rolled pushes the Doom Clock up by a minute…

Combat uses the same mechanic with monsters and enemies—and the Player Characters when they are attacked—using the same Challenge Rating as skill tests. It is Turn-based, with the Director deciding whether each Player Character is acting First, in the Middle, or Last, depending upon their situation and what they want to do. Players are encouraged to be organised and know what their characters are capable of, the surroundings for the battle, and so on, in order to get the best out of their characters. With every Player Character possessing the same Lifeline (the equivalent of sixteen Health Points), combat can be simply nasty or nasty and deadly, depending upon the mode. Death is a strong possibility, no matter what the mode, and depending on the scenario, death need not be the end though. A Player Character could become a ghost and continue to provide help from the afterlife or even become an antagonist!

Fear in SHIVER uses the same Challenge Rating system and mechanics. A Fear Check is made with a Player Character’s Strange Dice, and if the player fails the check, the character becomes Afraid, and if Afraid, becomes Terrified. If Afraid, a Player Character loses one die from all Core Skills, and two if Terrified. This is temporary, and a Player Character can get rid of the effects of Fear by escaping or vanquishing the threat, steadying himself (this requires another Fear Check), or another Player Character uses an Ability to help him.

Narratively, SHIVER is played out against a Doom Clock. This is set at eleven o’clock at night and counts up minute by minute to Midnight and the Player Characters’ inevitable Doooommm! However, at ‘Quarter Past’, ‘Half Past’, ‘Quarter To’, and ‘Midnight’ certain events will happen, these being defined in the scenario or written in by the Director. Every scenario for SHIVER includes its own Doom Clock events. In general, the Doom Clock will tick up due to the actions of the Player Characters, whether that is because of a failed skill check with Strange symbols, a failed Fear Check, abilities for the Weird Archetype, Background Flaws, or simply interacting with the wrong things in game. What this means is that dice rolls become even more uncertain, their outcome having more of a negative effect potentially than just failures, but this is all in keeping with the genre. However, just as the Doom Clock can tick up to ‘Midnight’ through the Player Characters’ actions. It can also be turned back due to their actions. Rolling two Luck on skill checks, reaching Story Milestones, finding clues and important items, and certain Abilities can all turn the Doom Clock back.

‘Welcome to Hollow World’ is the scenario in the SHIVER Blockbuster Starter Set. As mentioned above, it casts the Player Characters as the cast of a dinosaur disaster blockbuster. There is a good explanation of its set-up and advice on how to run the scenario. There is a list of the Doom Clock events for the scenario as well as a compendium giving the details of all of the items, NPCs, and monsters to be found in the scenario. The main mechanical addition is the inclusion of the Starring Role mechanic from SHIVER Blockbuster: Legends of the Silver Scream. This can be ‘The Leading Hero’, ‘The Stunt Performer’, ‘The Thespian’, ‘The Heartthrob’, ‘The Love Interest’, ‘The Comic Relief’, ‘The Method’, and more. Each Starring Role has a Star Power and Audience Expectation. The Star Power is a unique ability that the Actor can perform once per quarter of the Doom Clock, whilst the Audience Expectation is something that if done on screen will gain the Actor the favour of both the audience and the Director, and so boost his career. So, for ‘The Love Interest’, the Star Power is a ‘A Healing Heart’ that enables the Actor to make a Heart Check and regain Hit Points if they perform a romantic scene, whilst the Audience Expectation ‘Break Heart/Bow Minds’ in which the Actor wants the audience’s favour to fall in love with them and so will make romantic confessions, and have moments of passion or tear-jerking moments to get the audience to love them.

Depending upon how well an Actor performed, he or she can receive an Accolade or a Review. Both are awarded by the Director. Engage in both Star Power and Audience Expectation and an Actor will earn an Accolade, but if not, he or she may be in line for a Bad Review. Accolades include the ‘Performance Award’, ‘Hall of Fame’, ‘Rabid Fanbase’, ‘Top Billing’, and so on, whilst Bad Reviews include ‘Hamming It Up’, ‘Worst Actor Ever’, and ‘Boring Performance’. Accolades provide a minor benefit, whilst Bad Reviews act as minor disadvantage. For example, ‘Performance Award’ gives the Actor a piece of armour to use in the next film, but once used, it is gone, whilst ‘Looking Fit’ grants Advantage on acts of athleticism. The Bad Review, ‘Diva Reputation’ means that if the Actor fails a Check that would advance the Doom Clock, if they also fail a Strange Check, they suffer Soul damage.

Physically, the SHIVER Blockbuster Starter Set is a good-looking box. The inclusion of the roleplaying game’s tables on the inside lid of the cover means that the Director has an easy rules reference and screen, whilst the dice do sit in their own niche in the bottom of the box. The books themselves are well-presented with excellent artwork done in a style similar to that of Mike Mignola and his Hellboy comic. The writing is clear, but could have done with an edit in places.

The SHIVER Blockbuster Starter Set is a solid introduction to SHIVER – Role-playing Tales in the Strange & the Unknown, whether or not the Director wants to run the SHIVER Blockbuster: Legends of the Silver Scream campaign. If not, it can be run as one shot scenario, but is probably a bit too long to be run in a single session. It is more more likely to last two sessions at least. The scenario, ‘Welcome to Hollow World’, is really entertaining and the will have a lot of fun playing it.

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Parable Games will be at UK Games Expo which takes place from Friday, 29th to Sunday 31st of May.

Your Level Up Starter

A good starter set has to do a number of different things. It has to introduce and explain the roleplaying game it is a starter set for, whether that is the roleplaying game’s setting, mechanics, or both. It has to both tell and show what the players and their characters are expected to do in the setting and how they do it, first with the rules and then with a scenario. It has to provide everything that a group needs to play—rules, scenario, pre-generated Player Characters, and dice—and ideally more. Maps, handouts, tokens, and the like are all items that will help bring the world of the roleplaying game’s setting to life and give the players something to look at and interact with. Above all, a good starter should showcase the roleplaying game and entice both Game Master and her players to want to roleplay more with the rules and in that setting by picking up the core rulebook, and if the contents of the start set support continued play, whether that is providing an extra set of dice or maps for the setting, then all the better.

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The Level Up Starter Box for Level Up: Advanced 5th Edition has an uphill battle ahead of it, because in hobby in which Dungeons & Dragons, Fifth Edition predominates and in which Dungeons & Dragons is the only roleplaying game that matters to the world at large, it has to sell itself on the point that what it offers is more Dungeons & Dragons, Fifth Edition. Or rather, more than Dungeons & Dragons, Fifth Edition. Although designed to be compatible with Dungeons & Dragons, Fifth Edition, what Level Up: Advanced 5th Edition does is offer more choice, more flexibility, and more depth in combination with the same heroic fantasy roleplaying that you want from Dungeons & Dragons, Fifth Edition. And this it sets out to do without added complexity. Published by EN Publishing, the Level Up Starter Box is not actually a starter set in the traditional sense. What a starter set typically does is introduce a roleplaying game and its setting, providing Game Master and players alike with everything they need to play—the rules, dice, pre-generated Player Characters, one or more adventures, and support for both the adventure and rules in general. The Level Up Starter Box has most of that. What it lacks is dice. This is because it assumes that anyone opening its box and looking through the contents will have roleplayed before—specifically, Dungeons & Dragons, Fifth Edition. Having done so, they will have dice, they will know what roleplaying is, and they know how Dungeons & Dragons, Fifth Edition works and how it is played. In this way, the Level Up Starter Box is an introduction to Level Up: Advanced 5th Edition rather than roleplaying in general and Level Up: Advanced 5th Edition.

So what is in the Level Up Starter Box? Inside can be found a sixty-six page ‘Rules Manual’, three sixteen-page booklets which together make up the adventure, five pre-generated Player Characters, five double-sided poster maps, and ninety-one cardboard tokens for heroes, villains, and monsters. The ‘Rules Manual’ explains all of the rules changes and additions. This starts with telling the reader that the name for the Game Master in Level Up: Advanced 5th Edition is ‘Narrator’, and that the Barbarian, Monk, and Paladin are expanded into Berserker, Adept, and Herald respectively, whilst the Marshal is a new Class. Exhaustion is divided between ‘Fatigue’ and ‘Strife’, physical and spiritual in nature, respectively. Two skills are added, ‘Culture’, representing knowledge of customs, laws, and etiquette, whilst ‘Engineering’ is used for building and constructing. Skills can work with any Attribute as can Initiative, depending on the situation. A Player Character does not have a Species, but a Heritage and Culture, the first being what he inherited from his parents, whilst the latter his upbringing. A Player Character can have Expertise Dice, granted by a Player Character’s Class, the situation, and more. These are either a four-sided, six-sided, or eight-sided die and are rolled in conjunction with rolls of a twenty-sided die.

For the players, there is a guide to the advancements gain by their characters at Fifth Level. For the Narrator there are some nicely done Journey rules, which underpin the exploration pillar of Level Up: Advanced 5th Edition. They take into account travel pace, supply, fatigue, weather, and so on. There are tables for encounters ordinary and social, travel scenery, boons, and discoveries as rewards for overcoming objectives, but the really fun aspect is the list of activities that go beyond those you would normally except for journey rules. So alongside ‘Cook’, ‘Hunt and Gather’, ‘Scout’, and ‘Track’, there is also ‘Busk’, ‘Chronicle’, ‘Gossip’, and ‘Pray’, which is rather entertaining. There is also a guide to the magic items that appear in the adventure as well as a bestiary.

The five pre-generated Player Characters include a Halfling Sorcerer who grew up amongst the Hill Dwarves who specialises in planar magic; a Human Adept who grew up in a Dragoncult and is a brawler; a Dragonborn Ranger who was a Wilding and is now a holy champion; a Dwarven Rogue with a cosmopolitan background who specialises in traps; and a Planetouched Cleric also with a cosmopolitan background and who is an oracle. All five have their own Destinies from which they can take Inspiration, plus a Background, and each has particular guides for exploration and social actions. All five are presented on four-page pamphlets that easy to read and use. All five Player Characters are Fourth Level.

The rules cover several Conditions, including ‘Fatigue’ and ‘Strife’, which are tracked. Warriors can have combat manoeuvres. Disarm, Grab On, Grapple, Knockdown, Overrun, and Shove are basic combat manoeuvres, whilst the majority are divided into traditions, which are divided much like spell Levels, from First Degree to Fifth Degree. Four are included the Level Up Starter Box, including ‘Biting Zephyr’ for ranged attacks, ‘Mist and Shade’ for feints and distractions, ‘Rapid Current’ for speed and agility, and ‘Razor’s Edge’ for strikes and parries. Some combat manoeuvres require the defender to make a Saving Throw against, but all require the expenditure of Exertion Points. New actions in combat include ‘Press the Attack’, ‘Sprint’, and ‘Tumble’.

The adventure in in the Level Up Starter Box is set in the Albia, a highland region in Elissar, which is home to clans that feud and war for dominance. One of these was Clan Erin, which was disbanded centuries ago and many of its lesser clans picked over and absorbed over time by rival clans. Only Clans Carnoc, Kerdac, and Warlaw remain and they have now decided to come together to re-establish Clan Erin. Unfortunately, not all of the Clansmen are happy with the proposal and seek to prevent it from coming to pass. The Player Characters are hired as extra and neutral security for a moot where the terms of their re-uniting once again will be settled.

The adventure is divided into three booklets. The terms of the moot will be settled in the first part, ‘Clan Erin’s Moot’ by Akeem Favor’, but not without an attempt to stop it and the discovery that the legitimacy of the new clan leader cannot be confirmed without the Crown of Clan Erin. This has been lost for centuries, but there are clues as to where it might be. The Player Characters are asked to undertake this quest, detailed in the second part, ‘Valley of Misfortune’ by Mother of Goblins II. The quest will take them through a forest poisoned by souls and enables the Narrator to bring the Journey mechanics into play. Here the emphasis on combat and interaction of the first part switches to exploration and combat and one of the pleasing story elements about the situation in ‘Valley of Misfortune’—unconnected to , ‘Clan Erin’s Moot’—is that there are no real villains. In ‘Crypt Erin’, the third and final part of the scenario by Anthony Alipio III, the Player Characters locate and travel to the crypt where the Crown of Clan Erin might lie. Although the final scenes of this third part take place underground, this is not a dungeon in the classic roleplaying sense and although there is the possibility of combat, the resolution of the scenario lie in solving a puzzle and interaction rather than a fight. By the end of it, the Player Characters are likely to have discovered some clan secrets, resolved them, and enabled the peaceful re-founding of Clan Erin.

Altogether, the scenario provides a good mix of playstyles and activities, moving first from intrigue and interaction to exploration and combat and second the puzzle solving and interaction. The first and second parts will take the longest, likely two sessions each, whilst the final part can be played through in a single session. The scenario is supported by the three double-sided poster maps and the two sheets of counters which are perfectly scaled for use with the poster maps.

Physically, the Level Up Starter Box is well presented. The artwork is good, the explanations of the rules are good, and so on. In places, the scenarios are overwritten.

The Level Up Starter Box succeeds on its remit of, “We hear you like playing Dungeons & Dragons, Fifth Edition. Here have some options to make your play more interesting.” The changes and additions are clearly presented and explained, and the scenario is a good mix of interaction, exploration, and combat. In fact, if the players have any experience in roleplaying, they could probably understand what is presented in the Level Up Starter Box without necessarily having played a lot of Dungeons & Dragons, Fifth Edition. The use of Fourth Level Player Characters showcases much more of what Player Characters in Level Up are capable of rather than First Level Player Characters. The Level Up Starter Box is a solid and easy playing introduction to Level Up for when the Game Master wants to become a Narrator and her players want to keep playing, but want both more of and more than what Dungeons & Dragons offers.

—oOo—

EN Publishing will be at UK Games Expo which takes place from Friday, 29th to Sunday 31st of May.

The One Ring II Starter II

It is the year 2965 of the Third Age. Over two decades ago, the Free Peoples of Middle-earth come together to defeat a great host of Orcs and other creatures, as well as the dread dragon, Smaug, at the Battle of the Five Armies. It seemed that a peace had settled on lands long threatened by the Shadow, but now that tide is turning. There are tales of strange folk and strange doings beyond the borders of the civilised lands, there are tales told round the fireside of monsters and other evils long thought banished, but which are now feared to have returned. Yet in such times, as before, there have been the stalwart warriors, curious scholars, and the stealthy scouts who know that there is a truth to many of the tales, that the sinister threats of old have not been truly vanquished, merely driven back, bruised and bleeding, into the shadows where they can nurse their wounds, bide their time, and grow in numbers and take council from their dark masters to strike once again. Knowing this, they will journey into the lone lands, rough woods, craggy mountains, and dark barrows to determine the nature and numbers of the threats to the Free Peoples that remain. Thus does a fellowship, a company of stalwarts, finds itself travelling out of Bree and into the North Downs to investigate a report of a shadow falling upon an ancient stone circle.

This is the set-up for The One Ring™ Starter Set – Over Hill and Under Hill. Published by Free League Publishing, this is actually the second starter set for The One Ring: Roleplaying in the World of Lord of the Rings. Which begs the question, what is second edition of The One Ring roleplaying game doing with a starter set when it already has one? And when that starter set was actually a lot of fun? Well, the truth is that as good as it was and as fun as it was to play, The One Ring Starter Set was not without its problems, most of which were conceptual and chronological. The One Ring Starter Set did four things. First it introduced the rules; second, it provided a complete mini-campaign to play through; third, it served as a sourcebook for the Shire; and fourth, it let you play as Hobbits. In particular, as Drogo Baggins, Esmeralda Took, Lobelia Bracegirdle, Paladin Took II, Primula Brandybuck, and Rorimac Brandybuck which together represent the generation between that of Bilbo, and that of Frodo Baggins, Peregrin Took, and Meriadoc Brandybuck. Which was great if you liked Hobbits and wanted to explore the Shire. However, this limited player choice, since they could not roleplay other members of the Free Peoples of Middle-earth; it underplayed the peril of the setting of the wider Middle-earth, reducing it to mild; and there was no scope beyond its box to really continue playing the same characters. This was because the publisher was not supporting this feature of The One Ring Starter Set, plus, its events take place before the starting year of The One Ring: Roleplaying in the World of Lord of the Rings. Fortunately, The One Ring™ Starter Set – Over Hill and Under Hill does most of these things, but with fewer Hobbits and less of a restriction chronologically (or geographically).

Anyway, The One Ring™ Starter Set – Over Hill and Under Hill. Inside the box can be found a full set of The One Ring dice, a bag of plastic stands, a ‘Getting Started’ sheet, the twenty-four-page ‘The One Ring – Rules’ booklet, the sixteen-page ‘The One Ring – Over Hill and Under Hill’ booklet, five pre-generated Player-heroes, handout for the adventure, a map of Eriador with a combat diagram on the reverse, and a set of twenty-three cardboard stand-up figures. The dice consist of two twelve-sided Feat Dice and six six-sided Success Dice, whilst the ‘Getting Started’ sheet introduces the starter set, tells the reader how to get started, and suggests further supplements that are available for The One Ring. ‘The One Ring – Rules’ booklet condenses the core rules of play, whilst ‘The One Ring – Over Hill and Under Hill’ booklet details the scenario that the Loremaster will be running and her players roleplaying. The five pre-generated Player-heroes are detailed on double-sided sheets with an illustration and some background on the front and the full game stats on the back. They consist of a Barding Captain, a Dwarf of Durin’s Folk who is a Champion, an Elf of Lindon who is a scholar, a Hobbit Treasure-Hunter, and a Warden who is a Ranger. The cardboard stand-up figures depict both the members of the company and the foes they will face during the adventure.

‘The One Ring – Rules’ booklet introduces the rules and more. It explains the basic setting, that of the year 2965 of the Third Age, and also the roles of the Player-heroes and the Loremaster—as the Game Master is known in The One Ring. It gives an example of play and a break down of what a Player-hero looks like and the various elements that a player will find on a Player-hero sheet. The rules cover basic resolution, how Endurance and Hope work, and then how Player-hero can withstand the effects of the Shadow or suffer them if not... The longest section is devoted to combat and it supported by good example of in action using the Player-heroes in the starter set. Also covered are the rules for Council, essentially negotiating and entreating with NPCs, and making Journeys. This has always been a big feature of The One Ring, very much inspired by journeys made in both The Fellowship of the Ring and The Hobbit, and the roleplaying game was originally one of the first to really make travel a big feature of its play.

Mechanically, The One Ring uses dice pools formed of six-sided dice and the twelve-sided Feat die. The six-sided Success dice are marked with an Elven Rune for ‘1’ on the six face, whilst the Feat dice is marked one through ten, and one face with the ‘Eye of Sauron’ Icon and one face with the ‘Gandalf’ Rune. When rolled, these can all together give various results. A simple numerical total that beats a Target Number is a standard success, but if the roll beats a Target Number and one or more Elven Runes are rolled, they indicate a Great or even an Extraordinary success. If the ‘Eye of Sauron’ Icon is rolled, this is the worst result and does not contribute anything towards the roll. Conversely, if the ‘Gandalf’ Rune is rolled, the action automatically succeeds, even if the total does not beat the target number.

The Target Number itself is determined by a Player-hero’s Attributes, either Strength, Heart, or Wits, depending upon if the player is rolling for a skill, combat proficiency, Wisdom, or Valour. In addition, if a skill is Favoured or Ill-favoured, a player rolls two Feat dice, counting the higher result if Favoured, the lower if Ill-favoured. Extra Success dice can be purchased and rolled through the expenditure of Hope.

Combat uses the same mechanics, but uses a Player-hero’s Combat Proficiencies—either Axes, Bows, Swords, or Spears, which are rolled against the Target Number derived from his Strength. This is modified by the enemy’s Parry rating. Damage inflicted is deducted from a Player-hero’s Endurance, which can result in him being Weary if his Endurance is knocked below his Load (essentially what he is carrying), and knocked out if it is reduced to zero. However, adversaries cannot become Weary, but are knocked out or eliminated when their Endurance is reduced to zero. If one or more Elven ‘1’ Runes are rolled on the Success dice, they can spent to inflict Heavy Blows and more Endurance damage, Fend Off the next attack against you, Pierce armour and potentially do a Piercing Blow, which is definitely inflicted if a ten or a ‘Gandalf’ Rune is rolled. If a Piercing Blow is struck, the defendant’s player rolls to see if his Player-hero’s armour protects him. Wounded Player-heroes recover Endurance slowly and are knocked out if a second Wound is suffered. Adversaries are typically killed by Wounds.

Each of the different aspects of the rules—journeys, Shadow, councils (this in a most unexpected fashion), and combat—are clearly organised and compartmentalised in the scenario in ‘The One Ring – Over Hill and Under Hill’ booklet. This does not mean that the narrative is compartmentalised though, as the scenes and the application of the different aspects of the rules does flow logically. The adventure itself begins The Prancing Pony in Bree where the company is to meet a hunter who had a strange and terrifying encounter at a stone circle in the North Downs. At the behest of their patron, the Lady Gilraen (mother of Aragorn), the members of the company are to listen to what the hunter has to say, glean what useful information he has, and set out to investigate. The scenario provides opportunities for undertaking a journey, exposure to the Shadow and the potential to suffer its effects, decent roleplaying in the Council, and combat against an evil that has returned to blight the North Downs and the lands of Rhudaur to the east. The scenario will end with the Player-heroes descending into a cave system in sight of Mount Cram. They will need to proceed with great care and with luck and good judgement, should at least be able to rescue some prisoners, but may also be able to defeat an ancient evil out of Angmar too.

‘Over Hill and Under Hill’ is a good adventure. It showcases the rules for The One Ring, presents an dark and dangerous situation for the Player-heroes, and gives them a chance to be heroic. It is playable in two sessions and there are option scenes that the Loremaster can use to extend the scenario to three. The scenario also sets the players up with heroes ready to continue playing, most likely in Ruins of the Lost Realm with Tales from the Lone-Lands. After all, they are a company and they do have a Patron.

Physically, The One Ring™ Starter Set – Over Hill and Under Hill is a good looking package. The artwork is excellent, much of it drawn from The One Ring: Roleplaying in the World of Lord of the Rings core rulebook. The map of Eriador and the combat diagram on its reverse are also good. The cardboard stand-up figures are nice too. The only bad thing to say about the contents of this starter set is that the dice are not as nice as those in the original starter set.

It should be noted that much of The One Ring™ Starter Set – Over Hill and Under Hill will be of use even after a group has played through the adventures. The ‘The One Ring – Rules’ booklet will serve as a light rules reference at the table, the map and combat diagram will be in constant use—as will the dice. The Player-heroes provided can continue to be played after the adventure has been played through, but if they are to learn from their experiences, the core rulebook will be needed.

The One Ring™ Starter Set – Over Hill and Under Hill is the starter set that The One Ring: Roleplaying in the World of Lord of the Rings needed. It both showcases the key aspects of the rules and how a typical game of The One Ring is played, and in doing so, it sets up the Loremaster and her players for continued play in Middle-earth.

—oOo—

Free League Publishing will be at UK Games Expo which takes place from Friday, 29th to Sunday 31st of May.

Your Pirate Borg Starter

The Pirate Borg Starter Set is the introduction to the self-described, “Worst Pirate RPG Ever Made™!” that is Pirate Borg. This Old School Renaissance-style roleplaying game is set in the Dark Caribbean, a sea of tropical islands marked with European towns and fortresses and ruins of civilisations long gone, of shipwrecks with rich cargoes and even richer treasures, and of the Scourge. The Scourge made the dead walk once again, ghosts return to haunt the living, and monsters lurk ready to smash the foothold that the Europeans have established in the region. The governors and the viceroys, representatives of kings and queens, have forced to adapt and rule with no contact from home following the Scourge and even take advantage of the situation, especially since the discovery of the abilities and addictive nature of ASH, the ash of the burned and ground undead. Some seek to make money from the trade in ASH and some seek to control it, whilst others seek to repress it. This is another cause of the conflict in the Dark Caribbean. Pirate Borg casts the players as members of a crew who will sail the ASH-tinged waters the Dark Caribbean, raiding and smuggling, carousing and drinking, adventuring and exploring, and the Pirate Borg Starter Set comes with everything necessary for a group of two to seven players to enjoy a mini-campaign set within the Dark Caribbean.

The Pirate Borg Starter Set is a packed box. It contains a sixty-page ‘Player’s Guidebook’, the sixty-page ‘Trapped in the Tropics: A Pirate Borg Adventure’, six Player Character Creation Worksheets, a pad of twenty-five character sheets, ten poster maps, and a set of twelve dice. It also includes a set of twenty-two reference cards for general play and the scenario, tokens for use with the maps, and two Dry/Erase pens for use with the Player Character Creation Worksheets. The inclusion of the latter points to an absence of pre-generated Player Characters that would normally be expected to be found in a roleplaying game starter set. Instead, players have to create their characters to play through the ‘Trapped in the Tropics: A Pirate Borg Adventure’. This points to the fragility of characters in Pirate Borg because players may have to replace them as the Dark Caribbean is a sea whose waters are deadly. It also provides a player with the full Pirate Borg experience, and of course, the Player Character Creation Worksheets make that process easier and faster.

The ‘Player’s Guidebook’ is very much a cut down version of the full Pirate Borg rulebook, even down to having the same page numbers. This is intentional because it makes reference to the Pirate Borg rulebook easier. Inside the front page there is a replication of the Player Character Creation Worksheet, but beyond that there is an explanation of how to create characters, the rules, the roleplaying game’s six base Classes, plus the two optional Classes. A Player Character is is defined by his Abilities, Class, gear, and Devil’s Luck. The five Abilities are Strength, Agility, Presence, Toughness, and Spirit, each rated between ‘-3’ and ‘+3’. There are six Classes and two optional Classes. Each provides adjustments to Abilities, basic Hit Points, and starting Devil’s Luck. The Brute is a raging melee fighter who gets a trusted weapon like a ‘Brass Anchor’ or ‘Rotten Cargo Net’ and when he gets better, he might gain a ‘Boomstick’ or ‘Grog Breath’, the latter enabling him to belch in the face of an enemy and stun him! The Rapscallion is a sneaky, cutthroat scallywag, which as a Class requires an ordinary deck of playing cards to play. The Rapscallion starts with a single speciality such as ‘Burglar’ or ‘Sneaky Bastard’, and gain more or even double up on already possessed specialities. He can also drink Grog to heal himself. The Buccaneer is a sharpshooter and treasure hunter, and is also a skilled tracker. The Swashbuckler is a brash fighter, who might also be an ‘Ostentatious Fencer’ or ‘Inspiring Leader’, and when he gets better, he could be the ‘Shakespeare of Insults’ or a ‘Calculating Cutthroat’, the former adding damage to attacks with his wounding taunts, the latter letting the player achieve critical hits on a natural roll of nineteen as well as twenty. The Zealot has prayers like Heal, Curse, and Holy Protection, which are learned randomly and can be cast several times a day without the need to make a roll or a test. The Sorcerer draws power from supernatural spirits and ghosts to cast spells like Spiritual Possession, Clairvoyance, and Raise the Dead, not whilst near cold iron or holding metal.

The Haunted Soul is either a ghost, conduit for restless spirits, has an eldritch mind, is a zombie, suffers from vampirism, or is a skeleton. Each provides a benefit and a penalty. For example, restless spirits constantly communicate with the conduit to grant a random Arcane Ritual which can be cast without a Spirit test, but must be cast before dawn the next day or conduit suffers damage. The Tall Tale can be one of the Merfolk, an aquatic mutant like a crab or The Great Old One, or a sentient animal such as a ‘Foul Fowl’ or a ‘Clever Monkey’. Although both the Haunted Soul and the Tall Tale are given as optional Classes, they are not really Classes, but closer to a Race or a Species as in other Old School Renaissance roleplaying games. This is because not only do they not get any better with experience, but the player also then rolls for an additional ability out of the standard six. Their inclusion, though, is unbalancing, granting a Player Character extra abilities that other Player Characters without either the Haunted Soul or Tall Tale options simply does not have the equivalent of. Further, the six core Classes not balanced either, especially when it comes to their progression. Several of the Classes like the Rapscallion or Buccaneer have multiple specialities or features that can be taken twice, whereas the Brute and the Swashbuckler do not. Of course, there is no need for the Classes to be equally balanced, but some rough equivalency would not have gone amiss.

To create a character, a player rolls for his Abilities, Class, gear, and Devil’s Luck. Gear includes weapon, clothing, and a hat. Optional tables provide for backgrounds, distinctive flaws, physical trademarks, idiosyncrasies, unfortunate incidents and conditions, and thing of importance. Of these which a group might want to avoid is rolling for Class since it avoids too many of the same Class serving in a ship’s crew.

Mechanically Pirate Borg is based upon Mörk Borg—hence the name—the Swedish pre-apocalypse Old School Renaissance style roleplaying game designed by Ockult Örtmästare Games and Stockholm Kartell and also published by Free League Publishing. A player rolls a twenty-sided die, modifies the result by one of his character’s abilities, and attempts to beat a Difficulty Rating of twelve. The Difficulty Rating may go up or down depending on the situation, but whatever the situation, the player always rolls, even in combat or as both Mörk Borg and Pirate Borg terms it, violence. So, a player will roll for his character to hit in melee using his Strength and his Agility to avoid being hit. Armour is represented by a die value, from -d2 for light armour to -d6 for heavy armour, representing the amount of damage it stops. Medium and heavy armour each add a modifier to any Agility action by the character, including defending himself. This is pleasingly simple and offers a character some tactical choice—just when is it better to avoid taking the blows or avoid taking the damage? Armour can also be damaged, due to a Fumble when defending, reducing its protective effectiveness, and a critical hit in combat inflicts double damage or allows another attack. A Player Characters whose Hit Points are reduced to below zero is dead, but at zero, is broken and can recover.

Every Player Character also has the Devil’s Luck. Each Class receives a different amount of this, but all can spent to inflict maximum damage on a single attack, reroll any die, lower the Difficulty rating of a Test, neutralise a Critical or a Fumble, and to lower damage suffered by a random amount.

A Player Character may also have access to Arcane Rituals, such as Dark Delusions, which creates illusions in the minds that can see the caster; Phantasmal Fauna, which summons a ghostly hound or shark until sunset; and Thalassomancy, which fill the lungs of targets with sea water, causing them to suffocate. There are some truly nasty Arcane Rituals in this list. For example, The Black Spot which literally marks the target for death or Release the Kraken, which summons one of these great creatures in the nearby sea. If a Player Character fails to cast an Arcane Ritual, then a roll may be made on Pirate Borg’s Mystical Mishaps table. Other forms of magic in Pirate Borg include a quick and dirty pair of tables for handling alchemy and a list of Ancient Relics, such as the Conch Shell of the Abyss, which enables the wielder to ask a corpse one question or Mermaid Scales that when eaten grant the ability to breath underwater for a few hours.

Pirate Borg being a pirate roleplaying game, the one thing that it definitely needs is rules for ships and nautical combat. A vessel is defined by its Hit Points, Hull, Speed, Skill, Broadsides, Small Arms, Ram, Crew, and Cargo. Hit Points includes its condition and the health and morale of the crew; Hull, its armour; Skill the skill and training of the crew; Broadsides, the damage inflicted by a vessel’s main cannons; Small Arms the damage done by swivel guns and muskets; Ram, damage done in a ram action; and Crew, the minimum and maximum number of crew the ship can carry. Combat is conducted in thirty second rounds, and in that time, the captain moves the ship, the Player Characters take an action, and the Crew can take actions such as ‘Fire Broadsides’, ‘Full Sail’, ‘Boarding Party’, and more. Speciality Crew includes Legendary Captains, Strict Bosun, Deck Sorcerer or Priest, and so on. The rules cover crew skill, morale, cargo, repairs, and optionally—surprisingly, weather! An earlier section gives a list of sea shanties that the crew can perform each day, which might be to raise the crew’s morale or put out all the fires on a ship! Stats for the various ships are given on the Reference Cards included in the box.

What the ‘Player’s Guidebook’ does lack—and understandably so—is a bestiary and such things as tables for generating random encounters. What it does include is summaries of the rules, including those for naval combat, for ease of play.  Overall, the ‘Player’s Guidebook’ is attractive and functional, providing only the absolutely necessary details that a player is going to need.

For the Game Master there is ‘Trapped in the Tropics: A Pirate Borg Adventure’, which promises British Redcoats, rival pirates, booby traps, hordes of zombies, and cursed relics. It is specifically designed to teach the Game Master and her players the rules and how the game is played. So, there is more advice here for the Game Master than might be found in another scenario, but as a scenario in a starter set, it makes sense. It tells the Game Master how to prepare for the first session, gives her notes for tone, stye, and inspiration, of which there is lots (and pleasingly, is not afraid to suggest looking at other piratical games, especially wargaming rules), and suggests a way in which the adventure can be run as a one-shot. There is advice on running different aspects of the rules and a handy list of the tenets for both the Game Master and the player. The scenario is designed to be played using the included maps and tokens.

The scenario begins en media res and essentially in the same fashion as Pirates of the Caribbean! The Player Characters and their vessel have been hired by the Spanish Inquisition to locate a shipwreck on Eel Island. As the Player Characters emerge from the jungle, they find themselves on the beach, betrayed by a crewmember, attacked by Red Coast. Then zombies! It is an exciting start and the cues from Pirates of the Caribbean continue with the exploration of the island and the discovery of the target ship—hanging almost upside down deep into the jungle. Then on to a neighbouring island which is close by. One interesting aspect of the scenario is that in introducing both Pirate Borg and its setting of the Dark Caribbean, it also introduces the concept of ASH, how it is made, and how it is consumed. It is a fairly grim process and the scenario does suggest alternatives if the gaming group is unhappy with the concept. On Scrub Island the Player Characters can acquire a ship, and armed with a major clue they should have been able to acquire, set sail properly! This gives them a bit more freedom of action and opens up the play style a bit, first enabling the players and their character to experience some naval combat and explore Gibbet Town, a British port on a neighbouring island. The scenario will culminate in a disaster and a delve deep under an island in search of treasure leading to a confrontation with its guardians.

The scenario is well designed and written, taking the Game Master and her players hand-in-hand through the different aspects of Pirate Borg’s play. There is good advice throughout on the different aspects of the rules and the scenario, plus useful discussion of what to do next once the Player Characters have completed the adventure. The scenario is also entertaining and fun, both for the Game Master and her players, the former being giving a pair of intriguing NPCs to portray.

The ten poster maps show a mixture of maps and artwork. There are maps of the various islands and Gibbet Town, deck plans, and an illustration of the hanging ship in the jungle. There is also a plain sea map for use with the naval combat rules and one of the whole Dark Caribbean and even a double-sided treasure map that the Game Master is expected to tear in half! The tokens include ships for naval combat, NPCs and monsters, and one for each of the Classes in Pirate Borg. There are even tokens for the chicken, crocodile, and parrot companions (and there are other animals on the other side) that the Player Characters could have! There are even tokens to represent the approximate time of day. All together, the tokens are simply useful and their inclusion is well thought out.

Physically, the Pirate Borg Starter Set is fantastic. Both the ‘Player’s Guidebook’ and the ‘Trapped in the Tropics: A Pirate Borg Adventure’ books are sturdy and colourful, and the maps, along with the tokens, are going to look great on the table. Both books are both very well written, the scenario in particular being full of little extra details such as suggestions how to portray the major NPCs by referencing various films. Lastly, both inside of the lid and the inside of the base box have tables on them to help the Game Master run the game. There is even the detail of the embossed lid that gives  the Pirate Borg Starter Set a pleasingly tactile feel.

Like any good starter set, the Pirate Borg Starter Set can be used as more than an introduction to the setting of Pirate Borg. An experienced group can still play ‘Trapped in the Tropics: A Pirate Borg Adventure’ and beyond the adventure, the other content in the Pirate Borg Starter Set can be used as part of an ongoing campaign. The ‘Player’s Guidebook’ as a rule reference guide, several of the maps can be reused as can the Reference Cards, and the Player Character Creation Worksheets can be used over and over. Plus there are the dice…

The Pirate Borg Starter Set is an impressive box, offering a combination of simple, but highly thematic rules and an engaging, entertaining scenario, all supported by some useful play aids that will extend its usefulness beyond the completion of the scenario. Which all together is a great introduction to Pirate Borg. If other publishers within the Old School Renaissance were thinking of producing a starter set, the Pirate Borg Starter Set has just set the standard by which they will all be judged.

An Intriguing Invitation

This is a beautiful artefact. Inside the stark black and alabaster box is a cornucopia of gaming content and again, all of it is beautiful. This includes a small white silk bag—almost like a wedding favour—containing two six-sided dice that are done in the style of early nineteenth dice. Below that is a hard back book. This is the fifty-four-page ‘Archeterica Invitation Rules’. Linen finish and heavy stock paper with line art. Below that is the first of three scenarios. These are ‘Game Scenario: The Good Mayor’, ‘Game Scenario: The Bastinarys’, and ‘Game Scenario: Shady Deals in Strange Alley Ways’. Each of these is sixteen to twenty-pages long and again printed on heavy paper stock, but with sturdy card covers with a linen finish. There are two envelopes. One contains nine quite lovely handouts, whilst the second contains character sheets for six pre-generated Player Characters and six blank sheets, all of which are on sturdy paper stock. Penultimately, there are thirty-four standees and twenty-four counters, the former depicting the six pre-generated Player Characters and NPCs in the three scenarios. These are laser-cut on wood. Lastly, there is a Combat Status Chart which tracks the position of the Player Characters and the NPCs and their actions in combat. Along with a letter from the publisher, this is everything in Archeterica: The Invitation. Everything is delightfully tactile and again, it is a beautiful artefact.

Archeterica: The Invitation is published The Imago Cult following a successful Kickstarter campaign. The Ukrainian roleplaying game describes itself as the ‘game of genteel conspiracy’. It is set at the Dawn of the New Times. The opening years of the nineteenth century as the world is beset by revolution and occultism. The Industrial Revolution brings changes to the daily lives of workers, bankers, and the increasingly rich industrialists, whilst actual revolution brings about political change as bright young republics burst in existence alongside the older, staid monarchies and colonial powers. All of this takes place on the Disc, for no sailor is yet to brave the edge and beyond to see whether some scholars’ claims that the world is a sphere is true. The Old World lies in the west, its continents of Adriano and Al-Avid being similar to Europe and the Near East, respectively, whilst the New World is in the east, its continents of Salmandia and Graaldo being similar to Africa and the Americas, respectively. This is an alternate world in a Napoleonic Age of its own.

This is no mundane world though. It is full of secrets and conspiracies and the paranormal. Proper society dismisses such subject matters and discussions of them as being the realm of the fool and foolishness, often pointing to the countless charlatans, pseudo-scientists, and straight-up madmen that indulge the gullible or indulge themselves in such matters to no good end. Yet there is hidden truth in the occult and the Unearthly is real. Curses are real, paranormal abilities are real, rituals that take months of study and research that when enacted have the potential to grant enlightenment or change the movement of the heavens are real. Artefacts known as ‘Diablica’, perhaps ritualistic or occult objects or devices employing technologies not yet known, brought home from the New World or constructed by the enlightened (or the mad), continue to fascinate both researchers and collectors, yet their possession is banned by churches and governments alike. The authorities consider such artefacts dangerous sources of spiritual corruption and fear the powers they grant lest they be turned to revolution. Yet interest in the occult and diablica is rife, with amateur occultists forming local societies of their own to research and discuss such matters, their interests often benign, but all too often becoming a danger to themselves and others. Other societies have transcended mere parochialism, growing in power and influence, abutting, competing, and feuding with not just other occult brotherhoods, but also secret political and criminal organisations. Fear and suspicion of these secret cabals is fuelled by the sensationalism of the yellow press which sees and blames conspiracies everywhere.

The elevator pitch for Archeterica: The Invitation is The X-Files in the Napoleonic era. It is not though a roleplaying game about alien invasion or the fear of alien invasion, but rather a roleplaying game of Napoleonic conspiracy and the occult. Inspired by the television series Sharpe and Taboo, the film The Prestige, the Assassin’s Creed series of computer games, Archeterica: The Invitation casts the Player Characters as seekers of enlightenment, occult researchers, conspiracy theorists, and so on, who investigate both signs of the occult and conspiracy and work to prevent either from having too strong an influence on society.

A Player Character is defined by a concept, Narrative Attributes and their associated Talents, Burdens, combat skills, and inventory. The concept is who he is, whilst each Narrative Attribute represents an area of expertise or knowledge, profession, background, or previous experience. For example, a student radical might be represented by the ‘Student’ and ‘Firebrand’ Narrative Attributes, muckraking yellow journalist by the ‘Agent’ and ‘Journalist’ Narrative Attributes, and dilettante occultist by the ‘Aristocrat’ and ‘Occultist’ Narrative Attributes. Talents are the skills associated with a Narrative Attribute. Burdens are his personal flaws and weaknesses and are rated I, II, or III depending on how much of a hindrance they represent. Archeterica: The Invitation gives four options for combat skills—‘Fine Choice’, ‘Resourceful Ranger’, ‘Artful Daredevil’, and ‘Peaceable Socialite’.

Ottilie van Tulleken
Concept: Campaigning Journalist

GENTLE FOLK
Мanners II, Etiquette I, Social Connections I

JOURNALIST
Journalistic Reputation I, Subtle Bribery I, Reporting II

DETECTIVE
Information Gathering I, Sharp Eye I

BURDENS
Feminist II, Adventurism I, Vanity I

COMBAT SKILLS – PEACEABLE SOCIALITE
Classic Fencing II, Shooting I, New Beginnings 2, Instinct 3

INVENTORY
Pocket Pistol, Dagger, Umbrella, Small Set of Tools (lockpicking kit) Aristocratic Wardrobe, 1 mark in savings

Archeterica: The Invitation does detail several Narrative Attributes and their Talents as well as sample Burdens. A player is free to pick these or create his own and they do give a surprisingly wide choice. The creation process is not fully explained however, and it is only clear from the example that ranks are applied to the Talents. It does include some tables for character ideas, suggesting a character’s home country, social class, and former secret society. The entries for the table of home countries do draw parallels between the nations of the Disc and those of our Napoleonic era. Alternatively, the players can instead use the pre-generated Player Characters included in Archeterica: The Invitation. They include a ‘Gentleman Incognito’ with the Narrative Attributes of ‘Gentleman’ and ‘Malefactor’; a ‘Barricades Queen’ with the Narrative Attributes of ‘Revolutionary’ and ‘Commissar’; a military ‘Pioneer’ with the Narrative Attributes of ‘Sapper’ and ‘Expeditioner’; a ‘Foreigner’ with the Narrative Attributes of ‘Secret Broker’ and ‘Mystic’; a ‘Modern Day Hero’ with the Narrative Attributes of ‘Doctor’ and ‘Businessman’; and a ‘New Times Child’ with the Narrative Attributes of ‘Courier’ and ‘Opportunist’.

Mechanically, whenever a player wants his character to undertake an action in Archeterica: The Invitation, he rolls two six-sided dice, attempting to beat a Narrative Test Difficulty Level, which ranges from three and ‘Trivial’ to twelve and ‘Desperate’ with eight and ‘Challenging’ being the median. A player can lower the Difficulty Level by using his Talents, but the Game Master can increase it depending upon the character’s Burdens. Talents at Rank II or Rank III also enable a player to ‘Flip’ a roll, that is, to Flip it up or down, by turning the dice over to reveal and apply their reverse faces. In general, a player will want to perform an Upward Flip to have his character succeed at a task, but certain situations might mandate a Downward Flip. A player may only perform an Upward Flip once every twelve hours and it always incurs a complication of the Game Master’s choice. This might be to suffer Stress, which if ever reaches twelve means that the Player Character breaks down under the mental trauma, but it could also be a time delay, a loss of reputation, and so on.

In comparison to the core mechanic, combat in Archeterica: The Invitation is more complex. Actions require the expenditure of Action Points, whether that is step from one hex to another, run, aim, shoot, reload, cock a weapon, and so on. However, the number of Action Points a combatant has each round is rolled randomly. An attack requires a Mastery Test determined by comparing the attacker’s Mastery against the target’s Difficulty and rolling equal to or higher than the given target value. Although there are plenty of firearms listed, fencing is the preferred form of combat. It allows a combatant to attack as well as react to an attack against him. Such a reaction also costs Action Points, so it is wise to save some for that very purpose. Five styles are given, including ‘Classic’, ‘Savage’, ‘Court’, ‘Knightly’, and ‘Trickster’, and each comes with its form of attacks, reactions, and stances, all with their own Action Point costs.

Success indicates a successful strike and damage is rolled on two six-sided dice—for all weapons and attacks, though it can be modified depending on the weapon or type of attack. Some armour is available, which blocks damage, but all Player Characters have twelve Endurance Points whilst NPCs have ten. When a combatant’s Endurance is reduced to zero, it indicates that he has suffered an extra effect, the severity depending upon the amount of damage inflicted with the blow that reduced his Endurance to zero. This might be an insignificant scratch, being knocked out, receiving a scar, a severe wound, or death. Once every twelve hours, a player can Flip Down the damage his character receives in a single blow to reduce it. Each combatant’s number of Action Points and Endurance Points can be tracked on the Combat Status Chart.

Ottilie van Tulleken is conducting an investigation in a rookery when she is set upon by Albert, a thug who does not like her poking her nose into things. Albert has ten Endurance Points as an NPC, plus Savage Fencing II and is armed with a club that does three to seven points of damage (2d6/2+1). In the first round Ottilie has five Action Points and Albert has ten! Albert opts for a Battering Assault as part of his Savage Fencing Style. It costs him seven Action Points and will leave him with three. This enables him to attack twice. Ottlie opts for a Clean Block as a Reaction, using her umbrella. It costs three Action Points and will leave her with two. Not enough to repeat the action though. The Target Difficulty for Albert is seven because Ottilie has Classic Fencing II, which reduces it to five. Similarly, Ottilie’s Target Difficulty is also seven because of Albert’s Savage Fencing II and her Classic Fencing II. The Game Master’s Mastery Test for Albert’s first Battering Assault is ten, meaning his first punch lands, but Ottilie’s player’s is twelve meaning she blocks the first blow with her umbrella. For Albert’s second Battering Assault, the Game Master’s Mastery Test is nine and his second connects. This time Ottilie cannot defend against it and the Game Master rolls for damage. This is on two-sided dice and halved because it is non-lethal. The Game Master rolls ten and Ottilie’s Endurance Points are reduced to seven.

In the next round, Ottilie’s player rolls eight for Action Points, whilst the Game Master rolls four for Albert. With little he can do, Albert backs off, but not before Ottilie thwacks him one with her umbrella. This is a standard test and her player’s Mastery test result is six, meaning that she has succeeded. Unable to defend himself, Albert takes five points of damage from the Thrust. Ottilie still has four Action Points to spend. In turn, she uses two Action Points to draw her pocket pistol, another to aim it, and her last one to cock it. Albert finds himself at the point of her gun and steely gaze when she asks him, “Who sent you to lay your hands on me?”

Throughout, a Player Character can suffer Stress, which is tracked on a twelve-point scale, from ‘Clarity of Mind’ to ‘Onset of Madness’. The Game Master imposes Stress upon the Player Character, anything from a minor misfortune like the death of an acquaintance, worth one or two points, to the five or six points from the loss of a loved one, regarded as a major tragedy. That said, a Player Character resist Narrative Stress by making a Desperate Test, halving the number suffered, and when suffering an Archeshock from encountering the Unearthly, a Player Character can force himself to forget the experience and replace the memories of it with something mundane, or retain it and suffer the Stress. In the long term, taking a holiday or engaging in a hobby can reduce Stress. If however, the Player Character’s Stress exceeds twelve, he does go insane and he gains a point of Deep Stress, which cannot be removed. The nature of the insanity is a matter of discussion between player and Game Master, giving the player control over the effects. Should a Player Character’s Deep Stress also rise to twelve, the madness is permanent and he becomes an NPC. One side effect of Stress is that if the Action Point roll in combat is under a Player Character’s Stress level, he panics rather than acts.

In terms of Player Character development, players are rewarded three types of points. The first is Narrative Points which are used to buy and improve Talents. The second are Combat Points, used to improve Combat Techniques. The third are Burden Points which can be exchanged for Narrative Points, Combat Points, or used to reduce a Player Character’s Stress. The neat aspect is that the higher the Ranks of the Burden and the more of a hindrance, the better this exchange rate is. Although more complex than simple Experience Points, this encourages players to roleplay all aspects of their character as they will be rewarded for doing so.

Mysticism is the study of occult secrets and otherworldly knowledge, found in the whispers spread in the most select salons, in spirits that haunt the edge of vision, and tomes of esoteric knowledge that appear to be nothing more than the ravings of the deluded. However, the line between delusion and the actuality of the Unearthly is uncertain, giving scope for the charlatans, the believers, mystics and occultists, and the unfortunate who have been driven mad by their experiences. Archeterica is the pseudo-scientific study of Occultism and all that relates to the Imagosphere, the otherworldly plane of ideas and images, the Hexen Cauldron where the boundary with the Imagosphere is at its weakest and where most Diablica are found, and the Vladyfus, the ethereal rulers of Otherworld who have attained True Enlightenment and who most occultists want to emulate. All beings and some artefacts have an Imago, their esoteric essence and reflection of their soul. This is manifested in mystics, otherworldly entities, and artefacts as their mystical powers and represented by Imago Strings, ranging from between one and twelve. The greater the number of Imago Strings, the greater an Imago’s power.

For the Player Character, it is possible to increase the number of Imago Strings he has. To do so, he has to acquire Focus Points, whether through spiritual practices, studying occult literature, suffering shock enlightenment, or experiencing events of historical significance that further herald the Dawning of the New Times. He can also purchase Mystical Abilities such as Intuition, Manipulation, Fortune’s Favourite, and Anomaly Compass. Only six such Mystical Abilities are detailed and they are relatively low key in their application. As with the capacity to either ‘Flip Up’ or Flip Down’, they can only be used once every twelve hours. Conversely, a Player Character or NPC can gain a Metamorphosis, the mystical manifestation of a sin that they have committed, such as hearing ‘Wicked Voices’ or suffer ‘Sinner’s Shame’. There are ways of Absolving yourself of a Metamorphosis and its sin, but this would be a demanding task.

Rounding out the ‘Archeterica Invitation Rules’ are details of several of the Shadow Clubs, Shadow Leagues, and Shadow Empires lurking across The Disc. These are its secret societies, from local clubs to grand conspiracies, such as ‘The Evercourt’, the society of aristocrats and kings and queens, many of whom who have been forced into exile following revolutions; ‘The Blackwater Marauders’, Strangers from the other side of The Disc who have inveigling their way into societies across this face of The Disc; and the travelling warlock communities known as ‘The Wandering Cities’. Each description includes details of known agents, known vassals, and associated conspiracy theories.

‘Archeterica Invitation Rules’ is surprisingly comprehensive, but far from complete. The secret societies details are large rather than small and there is no advice for the Game Master or any discussion or presentation of any threats. So, no monsters or NPCs. The description of the occult is understandably brief, but one of the pre-generated Player Characters does have Mystical Abilities that will show off that aspect of the setting in play. However, what Archeterica: The Invitation does have is three scenarios. Each of the three comes with a good introduction, some character hooks that can be used to get the Player Characters involved, a breakdown of the plot, the dessert, and handouts. Some also include some lore as well, but the ‘dessert’ actually gives the supplementary information for the Game Master, including the stats for any NPCs or Imago.

The first of these, ‘Game Scenario: The Good Mayor’ is designed as an introductory scenario that can be played through in a single session. The Player Characters are employed by the Senate Special Services in the small town of Tsaplyny in the Brasian Republic to stifle any news of the death of the town’s mayor. It quickly escalates into a search for the body and a race to get a new one! The second, ‘Game Scenario: The Bastinarys’, switches the action to the end of the eighteenth century during the revolution in the Spohledian Protectorate that led to the founding of the Brasian Republic. It takes place in the capital of Bramastadt where the Revolution Commissary appoints the Player Characters to take control of the Bastinarys, the city’s royal fortress prison. They have to decide which faction they need to align with and free the prisoners previously incarcerated by the monarchy. Unfortunately, one of the inmates is much more than they expect and ultimately, they need to avoid ending up being executed by the Revolution Commissary. The third scenario is the most sophisticated of the three. ‘Game Scenario: Shady Deals in Strange Alley Ways’ begins with the Player Characters in possession of a mystical tome as they attempt to find a seller in Bramastadt without attracting the attention of the authority. Each of the scenarios in their own way deal with the occult elements of the setting, but not the conspiratorial elements. That will have to wait for a fuller longer scenario or game.

Physically, Archeterica: The Invitation is—as already mentioned—lovely. The quality is amazing and the artwork is superb. The writing is not always as clear as it should be, but the examples of play help illustrate the rules and make it easier for the Game Master to grasp them. Of course, it is so lovely that really, as the Game Master, you do not want your players getting their grubby little mitts on it.

As a starter set, what Archeterica: The Invitation is missing is perhaps ready reference material for both the Game Master and her players. Some tables and explanations of what various aspects of each Player Character are and how they work would have been useful. The setting itself probably does not receive as much attention or explanation as it should, and in places the rules really rely upon the examples to impart full understanding of them. It also leaves the reader wanting to know more about the Occult and the things that threaten the real world.

Of course, what grabs the reader first about Archeterica: The Invitation is its stark physicality. This is a gorgeous boxed set whose contents are genuinely delightful. Yet this is not just a pretty box with pretty contents. Inside the very well appointed quick-start not only makes a ‘I want to play now’ elevator pitch of a Napoleonic-era meets The X-Files world of the occult and conspiracies, but whilst not quite perfect in its execution, delivers on that promise. Archeterica: The Invitation is absolutely worth accepting and it would be impolite not to try this, the introduction to the first Ukrainian roleplaying game to reach the English-speaking hobby.