Reviews from R'lyeh: Free RPG Day 2022

Showing posts with label Free RPG Day 2022. Show all posts

Friday, 7 October 2022

[Free RPG Day 2022] How to Raise the Dead

Now in its fifteenth year, Free RPG Day in 2022, was celebrated not once, but twice. First on Saturday, 25th June in the USA, and then on Saturday, 23rd July internationally. This was to prevent problem with past events when certain books did not arrive in time to be shipped internationally and so were not available outside of the USA. As per usual, Free RPG Day consisted of an array of new and interesting little releases, which are traditionally tasters for forthcoming games to be released at GenCon the following August, but others are support for existing RPGs or pieces of gaming ephemera or a quick-start. Thanks to the generosity of David Salisbury of Fan Boy 3, Reviews from R’lyeh was get hold of many of the titles released for Free RPG Day, both in the USA and elsewhere.

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How to Raise the Dead is perhaps the most different—or at least most singular—of the releases for Free RPG Day in 2022. It is not a quick-start or a scenario for a roleplaying game, but a set of instructions booklet on how to build and paint a piece of terrain which can be added to a game and provide space in which the brave heroes can confront some undead in their natural environment—or is that their unnatural environment? This is at the doors of a necropolis, surely the tomb of some dark master or the entrance to a crypt network below a cemetery, but however it is used and brought to the table, the necropolis is sure to be the site for a confrontation between some brave adventurers and a band of armed and armoured skeletons or zombies before the adventurers dare to open to open the door to the necropolis and enter... Designed and written by Dave Taylor Miniatures, it shows a Game Master—or of course, a Dungeon Master—how to use a combination of Speedpaints Set from The Army Painter and miniatures and terrain pieces from Mantic Games’ Terrain Crate and Dungeon Essentials ranges.

In comparison to How to Build a Boss-Fight Final Chamber, the release for Free RPG 2021, How to Raise the Dead is relatively short and focused. It starts off by stating that many a Game Master wants to present her players with an immersive experience and one way of doing that is not only to use the appropriate terrain and miniatures, but also make it look good. It acknowledges that this can be daunting prospect in terms of the preparation and painting required, and so the aim of How to Raise the Dead to help break down the barriers that might stand in the Game Master’s way. How to Raise the Dead does this by taking the reader through a step-by-step process, not once, not twice, but three times, each with a different set of miniatures or pieces of terrain, in order to show the prospective painter how it can be done in as uncomplicated a fashion possible—and of course, using the Speedpaint Set. The latter is not included in the release for Free RPG Day 2022, but ‘The Necropolis’ along with the How to Raise the Dead booklet is. To follow completely the guide included in its pages, the Game Master will also need the ‘DUNGEON DEAD’ from the Mantic Games Dungeon Essentials Range and the bare trees found in Mantic Games’ Gothic Grounds set. Of course, the Dungeon Master is free to use these or similar terrain and miniatures from other manufacturers, and the likelihood is that the guidelines in How to Raise the Dead would still apply.

The two piece of terrain which come up with How to Raise the Dead—the necropolis and sturdy iron gate—are chunky pieces. How to Raise the Dead addresses these two pieces first, showing the Game Master how to prepare, prime, and then apply a ‘zenithal prime’ the model. The latter involves priming a layer of black first, and then a layer of white from above so that the black remains uncovered in the shadows. Then the model is painted using the Speedpaint Set. This includes going over it with grey for the base stonework, adding colour to the roof to represent an oxidised copper roof, and then adding highlights to pick particular details. It is really is simple, showing how this can be done in just eight steps. If there is an issue here, it does not quite focus in on the details in the latter stages, but with some experimentation, the Game Master should be able to pick out these details.

How to Raise the Dead then proceeds to show how to paint a cadre of undead and a set of trees and trunks using the Speedpaint Set. In comparison to the earlier guide to painting the Necropolis and Gate, these two actually better illustrated and consequently, more clearly explained. In comparison to the advice given in How to Build a Boss-Fight Final Chamber from last year, the advice in How to Raise the Dead is clearer and easier to understand, and it is better aimed at the Game Master new to this aspect of the hobby. If there is an issue with the instructions, it is that How to Raise the Dead does not state what items the Game Master will need before setting out to work on the project.

The last two pages in How to Raise the Dead before a raft of adverts are devoted to quartet of scenario hooks written with the Necropolis model and the band of undead guarding it in mind. The four are divided between three fantasy ideas and one modern one.

In ‘The Tomb of Varan Tor’, the resting place of a paladin has been desecrated by the black dragon Rotslug and it is rumoured that he has risen as a Death Knight, whilst in the ‘Lost Mines of Draul’, the necropolis is actually an entrance to a mine where Dwarves in search of mithril found a metal so malign that it corrupted them and turned them into the undead. In both cases, the threat is rumoured to be on the rise, ready to step out of the Necropolis and spread their dread to the wider world. The Necropolis stands at the heart of ‘The Dark Depths of Forlakk Forest’ in the third hook, thought by some to be connected to the Feywild, but by others to the Shadowfell. There is certainly some corruptive force at the forest’s heart, but what? And does it represent a greater threat? The modern hook is ‘The Freaks Come Out at Night’ in which a would-be reality television star and his friends search the sprawling tunnels of hospital in search for the results of horrific experiments said to have been conducted by a renowned medical expert. It is not quite clear how the latter uses the Necropolis and that is disappointing.

Physically, How to Raise the Dead is decently presented with lots of photographs as illustrations. It is underwritten in places, both the instructions and the hooks, and it does need an edit in others.

Of all the releases on Free RPG Day 2022, How to Raise the Dead is the least useful—at least in the short term. It will take time for the Game Master to bring any of the contents to the table. Most obviously because she will need to have access to the Terrain Crate and Dungeon Essentials ranges, as well as the Speedpaints Set. Then prepare and paint the terrain following by developing and writing a scenario, perhaps one of the story hooks in How to Raise the Dead, perhaps one of her own. In comparison, most of the other titles released for Free RPG Day 2022 are quick-starts and scenarios and so can be brought to the table much more immediately. And of course, because How to Raise the Dead is designed to make use of the Terrain Crate and Dungeon Essentials ranges, plus the Speedpaints Set, it is also very much obviously designed to sell both them and other terrain sets. The other releases are similarly designed to do that too, so that is no criticism, but with How to Raise the Dead, it is more obvious.

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An Unboxing in the Nook of How to Raise the Dead appears here.

Sunday, 14 August 2022

[Free RPG Day 2022] Danger in the Air

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Goodman Games provided two titles to support Free RPG 2022. The first was The Three-Wizard Conundrum, an entertaining scenario for Dungeons & Dragons, Fifth Edition, much in the mode of The Dying Earth stories by Jack Vance. The other was an adventure for the Dungeon Crawl Classics Role Playing Game, as you would expect, highly anticipated. Free RPG Day 2022 – Dungeon Crawl Classics: Danger in the Air is a Character Funnel, one of the features of both the Mutant Crawl Classics Roleplaying Game and the Dungeon Crawl Classics Role Playing Game—in which initially, a player is expected to roll up three or four Level Zero characters and have them play through a generally nasty, deadly adventure, which surviving will prove a challenge. If one or more of the Player Characters survive—and the players may need to share some of their surviving characters if one or more players get theirs killed—then they will have each acquired the sufficient Experience Points necessary to rise to the heady heights of First Level. In the process, they will gain a Class and all of its benefits.

Free RPG Day 2022 – Dungeon Crawl Classics: Danger in the Air begins with a strange occurrence. As the villagers look up, they see a strange alien creature drifting in the air above their homes, its translucent body rent with weeping wounds. Within its body can be seen a structure and from one damaged corner gold and other treasure glints, even as the occasional trickle of alien, though doubtless gold, coins rains from the sky. Already, other villagers have scavenged treasures beyond their imagination from the blobs of alien flesh which have fallen from the sky, but there is surely more—much more—to be found inside the odd combination of jellyfish with butterfly-like wings? Fortunately, there is an easy way up. Numerous tentacles and tendrils dangle from its underside, and if some brave souls can climb their length, there has to be a way inside. After all, how else did the treasure get there otherwise? There are certain to be dangers too, but any man, woman, elf, dwarf, or halfling, armed only with a stick or a pig or a piece of overly fragrant cheese, brave enough to make the climb and explore the strange structure is destined for better things.

Getting into the strange floating object is relatively easy and what the Player Characters discover is not one, but two weird combinations. The first is that of Science Fiction and fantasy, though actually, more the former than the latter. The second is strange biology with technology. This will be apparent to the players of course, but not their characters, for whom Clarke’s Third Law—“Any sufficiently advanced technology is indistinguishable from magic.”—definitely applies. This is because the object turns out to be an advanced interdimensional spacecraft which suffered a catastrophic encounter and with its occupants dead, drifted into the Player Characters’ world. It also means that there are a lot of strange devices and objects which the Player Characters can interact with to various effects. The adventure consists of just eleven locations across three floors, and it should no surprise that each includes lots of detail that the Judge can use to bring the adventure location to life.

A playing group should be able to play through Free RPG Day 2022 – Dungeon Crawl Classics: Danger in the Air in just about a single session. If any of the Player Characters survive long enough to discover and return with the treasure its vault holds, then they will be surprisingly wealthy as well having sufficient Experience Points to each First Level. The Judge also has a hook or two which she can develop into a possible sequel. Hopefully, Goodman Games will return to the story in a sequel to Free RPG Day 2022 – Dungeon Crawl Classics: Danger in the Air.

Physically, Free RPG Day 2022 – Dungeon Crawl Classics: Danger in the Air is slightly disappointing as it is not quite up to the standards usually set by the publisher. In places the writing is rushed and the map, whilst clearer than in other releases for the Dungeon Crawl Classics Roleplaying Game, is mislabelled. The artwork is excellent and entertaining though.

Free RPG Day 2022 – Dungeon Crawl Classics: Danger in the Air is a thoroughly entertaining scenario. It definitely offers a fun session of roleplaying mind-boggled villagers just trying to work what they have themselves into and wondering if they are going to be able to get out again.

Saturday, 13 August 2022

[Free RPG Day 2022] Epic Encounters: Bridge of the Duergar Cult

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Epic Encounters: Bridge of the Duergar Cult is a scenario part of the Epic Encounters series. Published by Steamforged Games for use with Dungeons & Dragons, Fifth Edition, the Epic Encounters line is a series of boxed adventure sets which include a scenario and both floor plans and miniatures for use with the scenario. Steamforged Games divides its Epic Encounters series in three Tiers of Play—Lower, Middle, and Higher—which determine the standard Difficulty Check value that a Player Characters has to roll and Damage Level (or die type) suffered by a Player Character throughout the scenario. For Bridge of the Duergar Cult, there is no set Tier of Play, which means the scenario can be easily adjusted to suit the Level of the Player Characters. However, the high Challenge Rating of the end of level boss makes the scenario unsuitable for the lower Tier of Play. In addition, the scenario includes numerous motivations for the Duergar to explain their actions and hooks for the Player Characters to get involved. This immediately gives Epic Encounters: Bridge of the Duergar Cult a pleasing flexibility when it comes to the Dungeon Master adding it to her campaign.

Epic Encounters: Bridge of the Duergar Cult reveals that the stone-willed and brutally logical and darkly cruel Duergar have plan to extend their domination of the Underways and give their hatred of the surface world a physical reality. Under the leadership of the Duergar king, Roarie mac Nessa, they want to raise an ancient and terrible demon from the Abyss and then have it lead them into war across the Underworld and beyond… The ritual will be performed in the Temple of Medb, dedicated to the first ruler of the Duergar. Yet before anyone can enter the temple and prevent the ritual before it can be completed, they must cross the great Bridge of Cathbad, the formidable piece of engineering that is the last bastion of defence before the temple doors. Epic Encounters: Bridge of the Duergar Cult focuses upon these two locations—the Bridge of Cathbad and the Temple of Medb—and their defenders and their defences. Both are suspended over the abyss and require full on assaults by the Player Characters.

The Duergar are stalwart defenders. First, the Player Characters will need to overcome a phalanx of Duergar soldiers supported by archers; make their way across a bridge which shifts under their feet, its iron tiles trapping their ankles and impeding their progress; and the while being sniped at by Duergar Mages. The Player Characters will find that the environment favours the Duergar—stone giving them strength, knowledge of the defences an Armour Class bonus, and the magic that has seeped into the stone granting the Deep Dwarves Mages a definitive advantage. That is the least of the defences—at least on the bridge. Once in the Temple of Medb, the Player Characters are beset by a great gale which threatens to gust them over the edge and into the Abyss; by fire, blood, bile, and even gold, which jets out of the broken network of pipes which just from the temple walls; and by Duergar berserkers willing to throw themselves at the Player Characters, and then both themselves and the Player Characters into the Abyss to defend the temple to their great mistress. Throughout all of this chaos and battle sits Roarie mac Nessa, waiting, watching, and preparing to face those who would stop his plans. He himself has a Challenge Rating of eight, and is likely too tough an opponent for the lower Tier of Play.

Physically, Epic Encounters: Bridge of the Duergar Cult is cleanly and tidily presented. The artwork is excellent and the layout of the various NPCs and monsters easy to use. The two maps—one each for the Bridge of Cathbad and the Temple of Medb—are dark, if clear. These are slightly small for use with miniatures, but do look great. One problem with both maps is that neither is numbered. So, it is not obvious where particular locations are, which makes them a little difficult to use for the Dungeon Master.

Epic Encounters: Bridge of the Duergar Cult lives up to its title of being a genuinely ‘epic’ encounter. Its two great battles will challenge any group of Player Characters, though perhaps the rewards for all of that effort may be disappointing for some playing groups. Epic Encounters: Bridge of the Duergar Cult is a really good addition to any Dungeons & Dragons campaign set in the Underworld. If the Player Characters have been actively campaigning against the Duergar, then it can work as the culmination of the campaign, otherwise it can be slipped into the campaign as an epic sidequest.

Friday, 12 August 2022

[Free RPG Day 2022] The Three-Wizard Conundrum

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Goodman Games provided two titles to support Free RPG 2022, one of which was more highly anticipated than the other. As you would expect, the highly anticipated titles was Danger in the Air, an adventure for the Dungeon Crawl Classics Role Playing Game. Yet as highly anticipated as Danger in the Air was, the other release should not be dismissed out of hand. The other release asks the question, “What do adventurers do between adventures?” Well, in the case of The Three-Wizard Conundrum, they get themselves involved in more adventures, of course! As the scenario opens, the party of brave adventurers is unwinding in a tavern, when they receive word that not one, not two, but three mighty wizards are in town, each looking for a band of capable adventurers to retrieve a fabled Ring of Wizardry. In return, they will pay a decent reward and let the Player Characters take whatever other treasure they recover. However, the task must involve great peril, for otherwise the wizards would have already found and obtained the ring for themselves.

The Three-Wizard Conundrum is an adventure for Dungeons & Dragons, Fifth Edition designed to be played by a party of Third and Fourth Level Player Characters. It is delightfully simple affair, really divided between the nicely detailed descriptions of the three scenario’s antagonists—Humboldt of Hightower, Dunbar the Arcane, and Rialto the Resplendent—and the three area dungeon that they send the protagonists to. All three wizards will approach the Player Characters and make them an offer if they will climb Cleft Mountain and once near its summit, descend into the depths of a deep gorge, the result of a great divine battle in ages past which has left magic reliable in the area. Hence their reluctance to descend into their depths themselves. This is reflected by the ‘Wild Magic Effects’ table which is rolled upon any time that a Player Character attempts to cast a spell and fails.

The Player Characters have the chance to check up on the three wizards and may learn a secret or two about the wizards before they climb the mountain and descend into its depths. There is more going on than meets the eye—though not much more given the length of the scenario—and ultimately, if the Player Characters survive they will have made an enemy or two, or three, or more. However, they are unlikely to have grabbed much in the way of treasure and extremely unlikely to have been paid, and for a very good reason. The whole situation is a scam, a fairly dark scam, which will keep both Dungeon Master and her players and their characters on their toes. The other reason that the lack of treasure is unlikely to be a bother is that The Three-Wizard Conundrum is an in-between adventure, a side trek affair, which slots very easily into any campaign.

Physically, The Three-Wizard Conundrum is superbly presented. The cover is excellent and internal artwork good. It does a careful read through to quite grasp what is going on, but the scenario is well written.

The Three-Wizard Conundrum is a really fun little adventure which should provide one or two sessions’ worth of play when the Dungeon Master slots it into her campaign. Although not specifically written for it, the scenario has all of the knavery and insouciance of Jack Vance’s The Dying Earth series of stories, which of course, Goodman Games is publishing as an adaptation of for the Dungeon Crawl Classics Role Playing Game. Overall, The Three-Wizard Problem is a delightful in-between adventure which would slots into any Dungeons & Dragons, Fifth Edition campaign or can be adapted to The Dying Earth Sourcebook for the Dungeon Crawl Classics Role Playing Game. In the meantime, can we have more scams from Humboldt of Hightower, Dunbar the Arcane, and Rialto the Resplendent please?

[Free RPG Day 2022] Starfinder Skitter Warp

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One of the perennial contributors to Free RPG Day is Paizo, Inc., a publisher whose titles for both the Pathfinder Roleplaying Game and the Starfinder Roleplaying Game have proved popular and often in demand long after the event. For Free RPG Day 2022, the publisher again provides a title for each of these two roleplaying games, A Fistful of Flowers for the Pathfinder Roleplaying Game, Second Edition, the other being Skitter Warp for the Starfinder Roleplaying Game. As in past years, this is an adventure involving four of the cheerfully manic, gleefully helpful, vibrantly coloured, six-armed and furry creatures known as Skittermanders—Dakoyo, Gazigaz, Nako, and Quonx. They were introduced in the Free RPG Day adventure for 2018, Starfinder: Skitter Shot, in which as the crew of the starship Clutch performed salvage tasks in the Vast beyond the Pact Worlds and then came across a derelict luxury liner, before being boarded by pirates and forced to crash land on a nearby world and survive as detailed in the Free RPG Day adventure for 2019, Starfinder: Skitter Crash. The foursome returned for Free RPG Day 2020 in Starfinder: Skitter Home—not to have adventures, but to have fun!

Starfinder: Skitter Warp is designed to be played by four Player Characters of Fifth Level. In addition to the core rules, the supplements Starfinder Alien Archive 2 and Starfinder Drift Crisis will be useful in running the adventure, but neither are required. The scenario returns to the planet Varkulon 4, the setting for Starfinder: Skitter Crash. In that scenario, a confrontation with a pirate ship combined with a strange natural phenomenon—now identified as the annual cosmic event known as a Drift cyclone—forced both ships to crash. The Player Characters must fight off the surviving pirates, repair their own ship, and make friends with the members of a scientific outpost, the Helix Lyceum, staffed by the slug-like Osharus. As a result of their efforts, the Player Characters acquired the salvage rights to the interesting debris which the Drift cyclone deposits on Varkulon 4. As Starfinder: Skitter Warp opens, the quartet of Skittermanders have returned to the world to collect more salvage—and once again, they are affected by a Drift cyclone.

The Drift cyclone is an annual cosmic event which occurs where the barrier between the Material Plane and Drift is thin. Varkulon 4 regularly passes through this region and so the crew of the Clutch is used to navigating its way around the phenomenon, but this year the ship is caught up in a miasma of planar energy which wreaks damage on the ship and as desperate message from the scientific outpost warns, on the planet below. Starfinder: Skitter Crash is primarily set up as a series of tasks built around events. So first, the Player Characters must repair their ship—which involves multiple tasks, such as using the Computer skill to plot the fastest route out of the miasma or the Athletics to rush to the engineering deck to heft power cables through access ports to reach power junctions—and then fending off an undead spaceship! Once the Player Characters reach the Helix Lyceum, they discover what is going on Varkulon 4—the planar energy unleashed by the Drift cyclone has transformed both planet and its inhabitants. The latter have transformed into either the best or the worst versions of themselves, so the majority of the scientists and inhabitants of the Helix Lyceum have become angelic and good, but those outside the scientific outpost have become demonic and evil, which includes friends of the Player Characters. Not only that, but the demonically transformed are now hellbent on smashing the Helix Lyceum and its inhabitants!

In the second half of the scenario, the Player Characters must defend the Helix Lyceum, including guiding civilians to safety, constructing defences, and holding off an attack by planar energy-transformed demons. These tasks can be done in any order, but get increasing difficult no matter which order they are dealt with. In addition, they are designed so that they have to be done with all four Player Characters rather than them splitting up and dealing with the tasks separately. This feels forced and some advice to handle what happens if the players decide their characters split up to deal with these tasks, would have been useful. Perhaps having the Player Characters realise that they cannot face a situation alone and they come to the rescue of each other? Once the Helix Lyceum is safe, the Player Characters can go out and track down their friends and hopefully save them and deal with the cause of the demonic outbreak which is attacking the Helix Lyceum.

Starfinder Skitter Warp is short and linear, no surprise given the format for Free RPG Day and the fact that it is intended as a demonstration adventure. Ideally, it should provide a session or two’s worth of entertaining play. Where the scenario differs from the previous scenarios involving the Skittermanders, is in the quartet of pre-generated characters provided for the players to roleplay. In the previous entries in the series, the four Player Characters are the Skittermanders—Dakoyo, Gazigaz, Nako, and Quonx. In Starfinder Skitter Warp, three of the Player Characters are Skittermanders. These are Dakoyo, Gazigaz, and Quonx. They are joined by Nakonechkin Ginnady, the male Vesk who is the others’ boss. It is great to see him play, his presence having been felt in the previous scenarios. However, this leaves the problem of what has happened to the fourth Skittermander, Nako. In the previous titles in the serious, he has always been a Player Character, but in Starfinder: Skitter Warp, he is shifted from being a Player Characters to NPC and discovering what happened to him is part of the scenario’s plot. Yet what if a player has roleplayed through the previous scenarios as Nako and wants to play him again? The obvious choice is to make Nakonechkin Ginnady the NPC, but Starfinder: Skitter Warp does not explore this option.

Physically, as with previous entries in the series, Starfinder: Skitter Warp is very nicely laid out and presented. The artwork is excellent, the writing clear, and the maps—placed inside the front cover—easy to use, if a little small. All exactly as you would expect for a scenario from Paizo, Inc.

If a group has played Starfinder: Skitter Shot, Starfinder: Skitter Crash, and Starfinder: Skitter Home before it, then doubtless they will be pleased to return to playing the humorous, if not silly, Skittermanders with Starfinder: Skitter Warp. Players new to Starfinder and the Skitterfinders may find the rules of the Starfinder Roleplaying Game slightly more complex than they expect and they certainly will not have the same sense of attachment to the Skittermander quartet as someone who has played the previous entries in the series. Even someone who played the previous scenarios may feel a sense of disconnect with the normally Player Character Nako being made an NPC.

Starfinder: Skitter Warp is a simple, straightforward scenario with a sense of both energy and urgency. Engagingly presented as you would expect for a title from Paizo, Inc. Starfinder: Skitter Warp is too deep into the story of the Skittermanders to quite work as an introduction to the Starfinder Roleplaying Game and ultimately, it is fans of both that will enjoy this scenario the most.

Monday, 8 August 2022

[Free RPG Day 2022] Curse of the Dread Marsh Crew

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Curse of the Dread Marsh Crew is an adventure for Dungeons & Dragons, Fifth Edition. Published by Loke BattleMats, a publisher best known for its maps for roleplaying games, such as The Towns & Taverns Books of Battle Mats, The Wilderness Books of Battle Mats, and The Dungeon Books of Battle Mats, the scenario takes place in the same setting as the Box of Adventure 2: Coast of Dread. It involves pirates, a cemetery, a curse, and undead in short encounter which easily be played in a session. It comes with four pre-generated Player Characters of Second Level as well as a doubled-sided map and a sheet of counters, both on heavy cardboard. The adventure involves a good mix of combat, interaction, and a big puzzle, and is highly thematic, but in terms of its plotting, it needs a bit work.

In Curse of the Dread Marsh Crew the Player Characters are members of the privateer, Dread Marsh, who have been sent on a mission by the ship’s quartermaster, Axell. They were to acquire the Emerald Eye, a great gem, said to be held in the tomb of the legendary pirate, Foxbeard, which is in the Windward Cemetery. As the scenario opens, with Axell’s advice, they have successfully entered the tomb and exited with the Emerald Eye in hand. Yet as soon as they make their exit, the tomb entry slams shut, a mist surrounds the cemetery, and their very flesh begins to rot. It appears that they have been afflicted by the ‘Curse of the Black Mark!’

So the Player Characters begin the scenario being dead! Which brings with it a host of problems—terrible speech, looking and smelling like a zombie, a vulnerability to Radiant damage, and being unable to benefit from any type of Rest, as well as being unable to leave the cemetery. Their first problem though, is that the cemetery watchman along with his dog, Snuffles, arrives to keep an eye on the place overnight. Fortunately, he is short-sighted and so will not spot that they undead so easily. This is not the only difficulty the Player Characters will face as a torch and pitchfork-wielding mob will turn up from the nearest village, but for either encounter, there are plenty of options detailed, so the players can approach them in numerous ways, not necessarily via combat. Similarly, the two locations of the scenario—Windward Cemetery and Foxbeard’s crypt—are both nicely detailed.

In the second part of the scenario, arcane symbols light up around the entrance to Foxbeard’s Crypt. These are part of puzzle which must be solved before the Player Characters can get back into the crypt, but surely, they would have solved that when they broke into the tomb the first time? Inside, they face Foxbeard himself, wanting revenge for their having stolen the Emerald Eye, as well as members of his undead crew. Also, why did Foxbeard not rise and take his revenge when they were they broke into the tomb the first time? The obvious solution would be for the Player Characters to have been brilliant when they originally plundered the tomb and not disturbed the dread pirate in his final resting place and then forgotten the solution to the puzzle as a result of their suffering from the ‘Curse of the Black Mark!’ The Dungeon Master may instead come up with a solution of her own, but either way, it is a problem in terms of the narrative.

All the while this is going on, the Player Characters are under the effects of the ‘Curse of the Black Mark!’. If they kill anyone in the cemetery—and there is a warning to found if they search the cemetery—the Black Mark on their hand will grow. Kill too many persons and the Black Mark will grow and grow until they are permanently transformed into one of the undead. There is a means to lift the curse to be found, but that means entering the tomb of course.

The four Player Characters include a Fighter, a Rogue, a Warlock, and a Wizard, all Second Level. All come with a back story, a thumbnail portrait, and a tracker for the ‘Curse of the Black Mark!’. The latter s nicely done as a hand, but there are no other mechanical effects as the Black Mark grows. It might have been fun if there had been to help enforce a sense of impending doom if there had been.

Physically, Curse of the Dread Marsh Crew is decently presented. The scenario booklet is general, well written and laid out. It lacks a card cover and so is flimsy. The double-sided map is done on sturdy card and in full colour. One side depicts the cemetery and the entry to the tomb, whilst the other shows the tomb proper. Both maps are easy to use with either the included counters, or with miniatures if the Dungeon Master and her players have them. The counters are decently done, but do need to be cut out carefully.

Curse of the Dread Marsh Crew is potentially a lot of fun and it takes the classic combination of pirates and the undead and does something different with it. The scenario also contains some nicely scenes as a consequence, such as making friends with a dog when you appear to be undead and persuading a baying mob that you are actually alive. Whilst the scenario can be played straight as written, it does have some plot holes which the Dungeon Master will have to fix to really bring out the fun to be had in Curse of the Dread Marsh Crew.

Sunday, 7 August 2022

[Free RPG Day 2022] Iron Kingdoms: A Strange Light Breaks

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Iron Kingdoms: A Strange Light Breaks is a scenario fo Iron Kingdoms: Requiem, the version of the Steampunk and high fantasy setting best known for its miniatures combat game, Warmachine: Prime, for use with Dungeons & Dragons, Fifth Edition. Published by Privateer Press, Iron Kingdoms: Requiem and thus Iron Kingdoms: A Strange Light Breaks—and Iron Kingdoms: An Echo in the Darkness before it for Free RPG Day 2021 bring the setting and intellectual property full circle, both having been first seen in The Longest Night, Shadow of the Exile, and The Legion of the Lost, the trilogy of scenarios published for use with the d20 System in 2001. The three would later be collected as The Witchfire Trilogy.

The Iron Kingdoms is noted for three things. First, its interesting mix of races—Gobbers, Ogrun, and Trollkin alongside the traditional Humans, Elves, and Dwarves. There are no Halflings or Gnomes, and even the Elves are different to those of more traditional Dungeons & Dragons-style fantasy. Second, the prevalence of technology, in particular, the use of firearms and Steamjacks and Warjacks, steam-driven robots with magical brains, used in heavy industry and on the field of battle. Third, the tone of the setting is fairly grim, there being an island to the west, Cryx, where the sorcerers have long experimented with combing the undead with Steamjacks and Warjacks, and have long planned to invade the Iron Kingdoms.

Iron Kingdoms: A Strange Light Breaks is not a quick-start for Iron Kingdoms: Requiem, but a scenario, so the Game Master will need access to a copy of Iron Kingdoms: Requiem as well as Dungeons & Dragons, Fifth Edition, to run the scenario. It is designed to be played by between three and seven Player Characters of First to Fourth Level, but is optimised for five First Level Player Characters. As the scenario opens, a new branch of

the Strangelight Workshop, the premier organisation in the Iron Kingdoms dedicated to investigating the supernatural, which has opened up a new branch in the city of Merin in the nation of Ord. It is looking for candidates and the Player Characters have decided to apply for whatever reason. Several motivations are provided to that end. A large sign above the door to the new branch reads ‘Post Delivery Outpost #113’ and the scenario feels reminiscent of Terry Pratchett’s Going Postal as well as possessing an enormous dollop of Ghostbusters.

The Ghostbusters feel starts with the equipment that the Player Characters are assigned. This includes antispectral ammunition for targeting ghosts, charged gauntlets to deal lightning damage to or grapple with ghosts, a Handheld Lumitype to take ‘spectragraphs’ of ghosts, and Strangelight Goggles and Strangelight Projectors, which gives the scenario a very technological feel.

The scenario is built around a job board on which are pinned three little jobs, each with a little commentary by the branch clerk, Emil Todmann, a constantly scowling if friendly ex-postman. These are quite colourful and should influence the order in which the Player Characters tackle them. They are free to do them in any order, but ideally should be run in the order that they are presented. In the first gig, ‘Branston Gunwerks’, the Player Characters, now newly-minted ‘spectral investigators’, are directed to a manufactory which is beset by gremlins doing all sorts of damage. They need to get into the building and in and amongst the machinery to ferret out the Gremlins who are having way too much fun in the Gunwerks. It is an action orientated opener which should be fun.

The second gig is ‘210 Aurora Street’ which takes place a few streets away from the branch office. There the occupants of a house have been beset by a spirit known as ‘Headless John’. The Player Characters have a chance to do a little research before he makes an appearance. When he does, they are free to approach however they want, so they can fight ‘Headless John’ or persuade him to move on. The latter is a less bruising option as ‘Headless John’ is quite a tough opponent, but again, this is another decent little encounter.

The third and final gig is ‘The Red Mare of Lime Gate’. A burning figure astride a red horse has been setting warehouses in the dock alight and Emil Todmann warns the Player Characters that this is an unknown entity and needs to be careful of what it might be. This is a slightly more complex scenario and there is plenty of opportunity for the Player Characters to conduct some investigation—interacting with the locals, examining some of the warehouses, and so on, before the spectre strikes! Ideally before then the player Characters will have picked up some clues that something is not right here and so it proves in a rousing finale to the scenario. Its secret is not the only one to be revealed in the scenario, as there is another in the scenario’s epilogue, which is entitled ‘End of Watch’ and has a double meaning. Both the finale and the epilogue can be played out in a few different ways, all of which are covered in the scenario.

Physically, Iron Kingdoms: A Strange Light Breaks also comes with plain and simple, decent maps of each location for the scenario’s three gigs, as well as ‘Post Delivery Outpost #113’, full stats for all of its monsters and NPCs—from Gremlins to Emil Todmann, and full descriptions and stats for all of the equipment that the Player Characters are assigned as newly hired members of the Strangelight Workshop. Many of these are illustrated, as appropriate.

Iron Kingdoms: A Strange Light Breaks contains three very different ‘gigs’ or encounters and offers players a very different style of play to that of traditional Dungeons & Dragons in Iron Kingdoms. It involves a more investigative and technological mode of play and thus has a more modern feel. Iron Kingdoms: A Strange Light Breaks is an entertaining Ghostbusters-style scenario which is not fun to play, but definitely deserves a sequel.

Saturday, 6 August 2022

[Free RPG Day 2022] Homeworld: Revelations – A Tabletop Roleplaying Odyssey Quick-Start

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Homeworld: Revelations – A Tabletop Roleplaying Odyssey Quick-Start is the release from Modiphius Entertainment for Free RPG Day 2022. It is the quick-start for Homeworld: Revelations, the roleplaying based on the real-time strategy video game series Homeworld, which includes Homeworld, Homeworld: Cataclysm, Homeworld 2, and Homeworld: Deserts of Kharak, as well as the forthcoming Homeworld 3. The series tells the story of the Kushan, a people lost in space after the destruction of their home planet, Kharak, and their attempt to find Hiigara, a new homeworld, journeying in fleet lead by a massive mothership. In Homeworld: Revelations – A Tabletop Roleplaying Odyssey Quick-Start, the players take the roles of members of The Dreamlands team, archaeologists brought together to gather historical records and artefacts from the wreckage of the great ship, the Khar-Toba, on the planet Kharak. Unfortunately, they are not the only ones interested the Khar-Toba. Others want to stop anyone from discovering the knowledge and technology which lies within the bowels of the great ship, and will do anything to prevent that from happening.

Homeworld: Revelations – A Tabletop Roleplaying Odyssey Quick-Start is designed for play by five players and come with five pre-generated Player Characters, printed separately. It contains all the rules necessary to play, including skills, action, combat, and interaction, all the way up to ship-to-ship combat. The five pre-generated characters include a security officer, a researcher, a medical officer, a technological operations manager, and pilot. All five are simply and clearly laid out and easy to read and use. Each also comes with a good illustration as well as a little background.

A Player Character in Homeworld: Revelations – A Tabletop Roleplaying Odyssey Quick-Start and thus Homeworld: Revelations is defined by Attributes, Disciplines, Focuses, Values, Traits, Talents, and Truths. The six Attributes—Agility, Brawn, Coordination, Insight, Reason, and Will—represent ways of or approaches to doing things as well as intrinsic capabilities. They are rated between seven and twelve. There are six skills—Combat, Command, Engineering, Exploration, Flight, and Medical—which are fairly broad and rated between one and five, whilst Focuses represent narrow areas of study or skill specialities, for example, Expert Pilot, Jury Rigging, Field Surgery, Unfamiliar Technology, and Chain of Command. Truths are single words or short phrases, which describe a significant fact or aspect about its subject, whether that is a scene, person, place, environment, or object. A Truth can make an action easier or more difficult, or even simply make it possible or impossible.

To undertake an action in the 2d20 System in Homeworld: Revelations, a character’s player rolls two twenty-sided dice, aiming to have both roll under the total of an Attribute and a Skill. Each roll under this total counts as a success, an average task requiring two successes. Rolls of one count as two successes and if a Player Character has an appropriate Focus, rolls under the value of the Skill also count as two successes. In the main, because a typical difficulty will only be a Target Number of one, players will find themselves rolling excess Successes which becomes Momentum. This is a resource shared between all of the players which can be spent to create an Opportunity and so add more dice to a roll—typically needed because more than two successes are required to succeed, to create an advantage in a situation or remove a complication, create a problem for the opposition, and to obtain information. It is a finite ever-decreasing resource, so the players need to roll well and keep generating it, especially if they want to save some for the big scene or climatic battle in an adventure.

Now where the players generate Momentum to spend on their characters, the Game Master has Threat which can be spent on similar things for the NPCs as well as to trigger their special abilities. She begins each session with a pool of Threat, but can gain more through various circumstances. These include a player purchasing extra dice to roll on a test, a player rolling a natural twenty and so adding two Threat (instead of the usual Complication), the situation itself being threatening, or NPCs rolling well and generating Momentum and so adding that to Threat pool. In return, the Game Master can spend it on minor inconveniences, complications, and serious complications to inflict upon the player characters, as well as triggering NPC special abilities, having NPCs seize the initiative, and bringing the environment dramatically into play.

Combat uses the same mechanics, but offers more options in terms of what Momentum can be spent on. This includes doing extra damage, disarming an opponent, keeping the initiative—initiative works by alternating between the player characters and the NPCs and keeping it allows two player characters to act before an NPC does, avoid an injury, and so on. Damage in combat is rolled on the Challenge dice, the number of ‘Homeworld: Revelations’ symbols rolled determining how much damage is inflicted. A similar roll is made to resist the damage, and any leftover is deducted from a character’s Stress. If a character’s Stress is reduced to zero or five or more damage is inflicted, then a character is injured. Any ‘Homeworld: Revelations’ symbols rolled indicate an effect as well as the damage. In keeping with the tone of the various series, weapon damage can be deadly (and nearly every character—Player Character or NPC, is armed with a firearm of some kind), melee or hand-to-hand, less so.

Lastly, the Player Characters all begin play with several points of Fortune, which can be used to pull off extraordinary actions, perform exciting stunts, make one-in-a-million shots, or provide an edge during life-or-death situations. These can be spent to gain a Critical Success on any roll, reroll any dice, gain an additional action in a round, to avoid imminent defeat, and to add new element to the current scene. More can be earned through play, such as accepting a Complication, changing a Defining Aspect about a character, or good roleplaying.

The rules themselves in the Homeworld: Revelations – A Tabletop Roleplaying Odyssey Quick-Start take up almost two thirds of its pages. The rest is taken up by the scenario. This starts in the outer desert region known as The Dreamlands where the wreck of the Khar-Toba can be found. The Player Characters are part of a team lead buy by the archaeologist Mevath Sagald, sent to investigate the wreck and glean what historical records and artefacts they can from it. However, the wreck is guarded by the Gaalsien, a kiith or clan religiously opposed to all thoughts of discovery and exploration, fearing that the Kushan took part in a great evil long ago and were punished by being exiled. The Player Characters will need to find a way into the wreck and avoid detection, exploring the ships and recover archaeological artefacts, and then escape both the ship and any attempts by the Gaalsien to stop them. Divided into five scenes, the scenario primarily involves stealth and exploration, although there is scope for combat and interaction depending upon what the players decide to do. There are moments throughout for each Player Character to shine and the scenario builds to an exciting climax chased by Gaalsien spacecraft. Overall, it is good adventure, and it should provide a good two sessions’ worth of play or so.

Physically, Homeworld: Revelations – A Tabletop Roleplaying Odyssey Quick-Start is a good looking affair with excellent artwork and decent layout. Unfortunately, the whole affair does feel rushed and needs another good edit. On the plus side though, it is well written, and there are lots and lots of examples of play and sections of advice for the Game Master. There is no cartography and thus no deckplans of the Khar-Toba. The scenario is not difficult to run without them, but their inclusion would have helped.

Ultimately, Homeworld: Revelations – A Tabletop Roleplaying Odyssey Quick-Start is let down by one factor and one factor alone. It has rules, it has pre-generated Player Characters, and it has a scenario. What it entirely lacks is background. There is no explanation of what Homeworld is or what the setting of Homeworld: Revelations is like, so leaves the Game Master to do her own research and prepare it for her players. This is disappointing as a quick-start is designed to both introduce a setting and a roleplaying game to players unaware of the setting and introduce a roleplaying game to those who know the setting. Homeworld: Revelations – A Tabletop Roleplaying Odyssey Quick-Start does a better job of doing the latter than the former and so does not fully succeed as a quick-start.

Friday, 5 August 2022

[Free RPG Day 2022] A Familiar Problem

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Without a doubt, the slimmest of offerings for Free RPG Day 2022 is A Familiar Problem. There is good reason for that. It consists of a single sheet of light card, done in black and white on the one side and in full colour on the other. The full colour side consists of adverts for other releases from the publisher, Darrington Press, most notably, Tal’Dorei Campaign Setting Reborn, the supplement for Dungeons & Dragons, Fifth Edition, based on the Critical Role YouTube campaign setting. Which is a bit strange. Strange because it is the adverts which get the colour and so take attention away from the roleplaying game on the other side. Strange because if Darrington Press had instead released a quick-start or a scenario for Tal’Dorei Campaign Setting Reborn for Free RPG Day 2022, then it might have got a whole lot more attention than A Familiar Problem is likely too. Putting that aside, what you get with A Familiar Problem is either a flyer with a mini-roleplaying game on the back or a mini-roleplaying game with a lot of advertising attached. Take your pick.

A Familiar Problem is a one-page roleplaying game in which the players take the roles of wizards’ familiars. Their masters and mistresses are away on an adventure and left them behind. Having been forgotten about them, they decide to have an adventure of their own and so prove to their owners that are useful and perhaps worth taking along on the next adventure. A Familiar might be a bat, a crab, an owl, a rat, a raven, and others. Each Familiar has four attributes—Clever, Fierce, Sly, and Quick, and a BREAK like Paranoia or Narcissism. The attributes range in value between zero and three, whilst the Break represents atypical behaviour if the Familiar acquires too much Stress. Each Familiar also knows three pieces of Pocket Magic, three spells such as Butterfingers, Door Magic, or Summon Horse. These are single use spells. To create a Familiar, a player rolls or chooses from the table of twelve and then does the same for his Familiar’s spells.

Lizzie the Lizard

Clever +0, Fierce +1, Sly +2, Quick +2

BREAK: Cowardice

Pocket Magic: Limited Invisibility, Soak, Speak with Object

When a Familiar wants to undertake an action in A Familiar Problem, his player rolls a ten-sided die and adds the value of an appropriate Attribute to the result of the die roll. The aim is roll equal to or higher than a Difficulty Number, which ranges from five or Easy to Very Difficult or ten. If the roll is failed, the Familiar gains a point of Stress. Subsequently, each time a player rolls for a task and rolls under his Familiar’s Stress, his Familiar’s Break occurs. Then the player has to roleplay that behaviour until the other Familiars calm his Familiar down and rescue him from the situation which triggered it.

As to what the Familiars do, there is a set of three of tables, one for generating the mission and two the adventure location. For example, ‘Sabotage the villain’s scheme in the Opulent Castle’. And that is it… The rest of it is left up to the Game Master to make up, perhaps with some input from her players, for example, whatever the villain’s scheme might be, and then play out. Which should take no more than a single session—and probably a short session at that.

A Familiar Problem is plain and simple. Whether that is physically, conceptually, or playfully. One of the best features of the simplicity is that it is easy to teach, is suitable for some younger players (depending how far they can cope with the BREAK rules), and requires no preparation. The only thing that it really requires is the ten-sided die and a Game Master happy to make things up and help tell the story.

[Free RPG Day 2022] A Fistful of Flowers

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One of the perennial contributors to Free RPG Day is Paizo, Inc., a publisher whose titles for both the Pathfinder Roleplaying Game and the Starfinder Roleplaying Game have proved popular and often in demand long after the event. For Free RPG Day 2022, the publisher again provides a title for each of these two roleplaying games, A Fistful of Flowers for the Pathfinder Roleplaying Game, Second Edition, the other being Skitter Warp for the Starfinder Roleplaying Game. In past years, the titles released for the Pathfinder Roleplaying Game have typically involved adventures with diminutive Player Characters, first Kobolds, then Goblins, and this year, Leshys, humanoid sapient plants of various species and Classes, typically crafted by a druid as a minion or companion. Four pre-generated Player Characters are included, each of Third Level, each independent of their creator, and the scenario requires the Game Master have access to the Pathfinder Roleplaying Game, Second Edition, Pathfinder Bestiary, Pathfinder Advanced Player’s Guide, and the recently released Pathfinder Lost Omens Ancestry Guide. The scenario can be played in one good session or two and offers a good mix of skill challenges, stealth, interaction, and combat.

A Fistful of Flowers begins in Verduran Forest, a large woodland in Avistan. There is a Wildwood Treaty in place between the forest and the nearby settled lands, affording the forest certain legal protections. However, the Player Characters have become aware that some of their numbers are missing and as the more powerful Leshys in the woods, it is their duty to investigate. The trail begins down at a river crossing and leads across first to a campsite and then beyond the limits of the forest canopy to a nearby village. Here the Leshys will find themselves readily accepted by the villagers and able to gather clues as who might be responsible. This will lead to the first of the two main scenes in scenario which are fully detailed and mapped and serve as its two climaxes. This first takes place in the wax laboratory of Crystals and Candlewax, owned by the alchemist who has been stealing into the forest and kidnapping Leshys! He though is not the true villain of the piece, his ambitions having got the better of him and found him serving a snooty, venal aristocrat, Lady Constance Meliosa, who wants the Leshys as showpieces to display at parties to her friends. The climax of the scenario will see the Player Characters crashing her afternoon tea party.

A Fistful of Flowers packs a lot into its sixteen pages and gives plenty for the Player Characters to do. There are problems to overcome and NPCs to interact with, the scenario providing multiple means for approaching either, and whilst the confrontation with the brute of an alchemist is likely to end in combat, the confrontation at the tea party need not do so. The Player Characters can sneak in, crash the party, persuade the guests that Lady Constance’s misdemeanours break the Wildwood treaty, and so on. Whilst the encounter in the alchemist’s shop is a traditional sneak and combat affair, the aristocrat’s fancy tea party deserves to be played out as a riotous assembly of flying skirts, scattered cakes, and soured sensibilities.

To accompany the adventure, A Fistful of Flowers includes four pre-generated Player Characters. These consist of a Gourd Leshy Druid, Leaf Leshy Bard, a Vine Leshy Barbarian, and a Fungus Leshy Rogue. Each is neatly arranged on their own individual pages and complete with background and clear, easy to read stats. Of course, the players do not have to use these, but could instead substitute their own characters, created using the rules in Pathfinder Lost Omens Ancestry Guide. Otherwise though, these are a decently diverse range of characters.

Physically, A Fistful of Flowers is as well presented as you would expect for a release from Paizo Inc. Everything is in full colour, the illustrations are excellent, and the maps attractive. The only issue is that the map of the alchemist’s laboratory is not numbered, though the locations are easy enough to work out. The Game Master might want to create stats for Lady Constance and her guests, but neither are absolutely necessary to run the adventure.

A Fistful of Flowers is an entertainingly likeable adventure. It provides a diverse range of Player Characters and has a pleasing different feel to its fantasy than that atypical of most roleplaying fantasy and packs a lot of adventure into what is just a handful of pages. Overall, A Fistful of Flowers is a fun showcase for the Pathfinder Roleplaying Game, Second Edition.