Every Week It's Wibbley-Wobbley Timey-Wimey Pookie-Reviewery...

Saturday, 7 November 2026

Solitaire: Bow

The Shoaling Festival is an annual event that celebrates the greatest of the free divers in Praelora, as well as commemorating those who have been lost at past events. Each diver has spent the last twelve months preparing for the boat upon which he will set sail out across the Gasillica Ocean, facing the dangers of the open water, including destructive spore storm, predators of the sea, cutthroat pirates, dragon hunters, and even rivals to reach the first of four Key Markers. At these points, each diver, alone yet knowing that if he is successful, he will return to Praelora to a hero’s welcome, makes a free dive into the depths of the ocean. He will hold his breath for as long as he can, attempting to withstand the pressures pressing upon him. What lies below are the sunken remains of a long dead civilisation. There he will find artefacts and relics that if brought back to Praelora will ensure his fame for another year.

This is the background for the BOW Solo Journaling Game, in which a player—or Freediver
—explores a dangerous aquatic world hoping to survive and return to tell the tale. It is published by Hatchlings Games, best known for Inspirisles, the Deaf-aware, sign-language as magic, Arthurian roleplaying game, and shares much in common with another solitaire roleplaying game from the publisher. This is Dragon Dowser: A Journalling Game for One Player, in which the player will use his dowsing crystal to overcome the elements, uncover ancient secrets, battle long-buried machinery, and in the process, save the last of the dragon eggs. Both Dragon Dowser and BOW take place in similar, if not the same world (dragons appear in both); are inspired by Japanese anime, in particular, Studio Ghibli’s Nausicaä of the Valley of the Wind; and share the same mechanics and play structure, the Carta System from Peach Garden Games. So as with Dragon Dowser, what a player requires in BOW is a standard deck of playing cards, a six-sided die, a set of tokens, and a journal for the Free Diver to record his story. As an alternative to the deck of playing cards, the roleplaying game has its own deck of cards. These have their art and text, so that the player does not have to refer to the book for the card descriptions, although the rulebook can still be used as a reference guide for all of the cards.

BOW requires some set-up before play begins. Key to this set-up is deciding upon the Marker for the playthrough. This is the location that the Freediver must reach in order to win the competition and is represented by one of the deck’s four Ace cards. Each of the Aces and its associated suit is linked to a particular theme. Clubs to ‘Sea Life’, Diamonds to ‘Secrets’, Hearts to ‘Seafarers’, and Spades to ‘Survival’. The player chooses one of the four Key Markers and draws twenty-three cards from the deck. Together with the selected Key Markers, these are placed face down in a six by four grid. Two Haven cards are placed to either side, represented by the Jokers in a standard deck of playing cards. The player’s die is put on one of these Haven cards as harbour from which his Freediver will set sail. Together, this forms the play area, that is, the sea across which the Freediver travels and explores.

On a turn, the player moves from one card in the play area to another in any direction. This costs a single ‘Seaworthy Token’, each a representation of the seaworthiness of the Freediver’s boat. The Freediver starts play with ten ‘Seaworthy Tokens’ and if he runs out of them, he is not lost, but stranded at sea. He will be rescued and brought ashore at the other Haven, from where he can set out again. Should this happen again, the Freediver’s rivals reach their goals before can reach his, effectively ending the game.

Each card turned over reveals three factors. The first is whether the card is ‘Negative’, ‘Negative Chaos’, ‘Positive Chaos’, or ‘Positive’. This indicates how many ‘Seaworthy Tokens’ the Freediver gains if positive or loses if negative. The loss or gain in terms of ‘Seaworthy Tokens’ ranges between one and five, or is rolled on a six-sided die if ‘Negative Chaos’ or ‘Positive Chaos’. The second part is a ‘Description’ and the third a ‘Prompt’. The ‘Description’ details the situation, whilst the ‘Prompt’ suggests what the Freedriver might want to address in his journal. Cards valued seven and lower are negative, whilst those valued eight or more are positive. It is also possible for the Freediver to discover another Ace, that is, a Key Marker for another Freediving competitor, giving him a moment of Respite, whilst the player is free to describe what his Freediver finds there. 

For example, the ‘6 of Hearts’ is Negative and costs the Freediver a single ‘Seaworthy Token’. The Description says that, “Residents of an island previously thought to be friendly to competitors now seem to be hostile. You had hoped to replenish supplies here, instead you need to beat a hasty retreat.” The ‘Prompts’ consists of “What is behind this hostility? How do you feel it can be resolved?” Then the ‘9 of Clubs’ is Positive and gives the Freediver a single ‘Seaworthy Token’, and has the ‘Description’ of “An abandoned wreck lies just off-shore guarded by an enormous octopus. While considering where to risk a dive, a dragon soars overhead, its vast shadow luring the guardian far from the wreckage.” Its ‘Prompts’ consists of “What is the octopus guarding? What makes it so unexpected?”.

The rules to BOW are simple and easy to learn and play. The process is helped 
by an extended example of play at the end of the rulebook and this, combined with the fact that the Freediver cannot die, merely be rescued once and once again (and in the case of the latter, fail at the attempt), serves to make it suitable for younger players. 

Physically, BOW is well presented. It is a small, landscape format book with some excellent artwork, much of it replicated from the game’s cards. The writing is clean and simple, making the game easy to pick up and play. With only half of the deck being used at any one time, there is plenty of replay value in the game.

Like Dragon Dowser before it, BOW is light and easy to play in terms of its rules and positive and uplifting in terms of its tone. This reflects its Solarpunk genre, optimistic and environmentally affirming, though there are potentially darker elements to the setting such as the pirates and the dangers of the sea. There is potential for the rivalry with the Freediver’s competitors to add further darker elements, though BOW does not quite make as much of them as it should, leaving it up to the player instead to develop their presence. The great feature of BOW—because it uses the Carta System—is its replayability, since the number of cards required to play are less than half of the total number of the cards in the game. This means that a player can have his Freediver participate in the Shoaling Festival year after year without exhausting all of the storytelling experiences that BOW offers and even revisiting cards previously drawn can mean developing stories told in previous playthroughs. BOW has the feel of wind through the hair, the taste of salt on the air, and the calm of the waves, with the open sea leaving plenty of room for the player to interpret the journalling game’s prompts as his Freediver sets sail for the Shoaling Festival.

Friday, 6 November 2026

Friday Fantasy: The Hunt for the Storm Calf

In anticipation of the upcoming raiding season, the tribes of Prax have come together at the Paps, the sacred ground at the mouth of Deep Womb of the Goddess, home to Eritha herself, where their leaders perform the annual ceremonies that herald its start. Although the various tribes have their long histories between them, some of them have heated rivalries, which at times can break out into open war, all that is put aside for the time spent together at the Paps. This will provide some succor to the members of the Sable Riders tribe chosen to accompany their Tribal Queen Delenda Rock Speaker and her consort, Sable-Khan Boronwaha, as the reputation of the tribe was sullied in the eyes of many by its close links to the Lunar Empire. When the High Priestess of the Paps and the Khans of all the tribes emerge from the ceremonies, it is not only to announce the start of the raiding season, but to make a portentous proclamation. Whichever Khan returns to the priestess and presents her with the most cattle will be declared to be the ‘Khan of Khans’ and thus become the year husband of the Most Respected Elder. This is a position of great respect and the Khans of all of the tribes want to win this role, but for the Sable Riders it would be a chance to restore their reputation and their standing with the other tribes. In addition, there is another factor that might persuade the High Priestess of the Paps to acclaim Tribal Queen Delenda Rock Speaker Khan of Khans, and that is the appearance of one of the Storm Calves, the cattle holy to Storm Bull, the god dedicated to destroying Chaos. Whilst Tribal Queen Delenda Rock Speaker prepares to lead the tribe west to raid the rich and fertile lands of Sartar, she turns to the trusted tribe members of her entourage to capture the Storm Calf. In other words, the Player Characters!

This is the set-up for The Hunt for the Storm Calf, a scenario for RuneQuest: Roleplaying in Glorantha published by Chaosium, Inc.. It is not all that there is to the scenario, but the scenario itself is very different to other official support from the publisher. Primarily, this is because it takes place on the plains of Prax, the dry, dusty lands between Sartar in the west and the city of Pavis in the east, and most of the supporting content for the setting has focused on Sartar. It is thus designed as an introductory scenario to the region and some of the culture of the Praxian nomadic tribes that wander the region, but thematically, it is actually inspired by the card game, Khan of Khans, which is also about cattle raiding. As an introductory scenario it includes six-pre-generated Player Characters, which together with the stats and sheets for their mounts and all of the NPCs, actually doubles the length of the scenario! as an introductory scenario, it can also be run using just the RuneQuest Starter Set.

This set-up though, is really for the second, all-action two thirds of the scenario. In the first part, the Player Characters have some time on their hands whilst their tribal leaders are at the ceremony. This gives them the opportunity to interact with the other tribes, perhaps make some friendships, help make some deals, and so on. No conflicts are allowed as the tribes are all together on sacred ground, though there is nothing to stop the Player Characters stepping outside of the area and the Player Characters are encouraged to play pranks on members of the other tribes. This allows for the players to be inventive in what pranks they can play, as slightly disappointingly, there are no suggestions given as to what pranks their characters might pull.

The middle part of the scenario is the race to capture the Storm Calf—and it is a race. The Player Characters do not start at the front, but must ride hard for many hours over hard ground. There are random encounters for what happens if the Player Characters do rest, but not on the race itself. There are two location encounters along the way, but it does seem unbalanced given that the Game Master will use both of those, but only one of the random encounters and only then if the Player Characters decide to rest.

Once the Player Characters reach the Day’s Rest oasis, they have a mystery on their hands—where is Storm Calf? It will be easier for them to find it the better the result they achieved in the race there, but a timeline nicely explains what each of the tribal rivals does, depending upon the position in which they finish in the race. With everyone looking for the Storm Calf, the Player Characters will need to conduct any investigation with some speed and follow it up before someone beats them to it. The scenario’s finale takes place somewhere unexpected and may be challenging for the Player Characters more used to wide open spaces of the Praxian wastes. Lastly, the scenario gives the players and their characters a moral dilemma to resolve.

The scenario includes six pre-generated Player Characters as well as their mounts. They are all members of the Sable Riders tribe and consist of a still ardent and proselyting Seven Mothers cultist; an older cavalry rider unhappy with the tribe’s former alliance with the Lunar Empire; a Seven Mothers cultist and healer at a loss with the breaking of the alliance with the Lunar Empire; a cavalry rider whose parent was a Lunar emissary and having suffered for it, loathes the empire; and a Storm Bull initiate; and an apprentice shaman of the Earth Witch. It is a good mix and there are some interesting tensions between the six over the tribe’s alliance with the Lunar Empire just as there is between the Sable Ride tribe and the other tribes of Prax.

Physically, The Hunt for the Storm Calf is nicely presented in the house style of RuneQuest: Roleplaying in Glorantha. It is well written and laid out, and both the cover and the single illustration inside are excellent. The character sheets pack a lot of information onto a single page, but there are no illustrations of the characters themselves.

The Hunt for the Storm Calf works well as a one-shot scenario, playable in a long session or two. It also works well as an introductory scenario to RuneQuest: Roleplaying in Glorantha and the plains of Prax and some of its peoples. It highlights the importance of tribal status, recent Praxian politics, and inter-tribal tensions as well as the importance of traditional events, whilst also placing the players and their characters as the outsiders due the inter-tribal tensions, which can lead to some interesting roleplaying in the scenario. However, as an introductory scenario, it could have done with a background sheet for the players that explained the recent history of the Sable Rider tribe and its relationship with the other tribes so that they would have a better understanding of the situation and these tensions. In the long term, another issue is that there is not the support readily available to continue playing these characters in the Prax setting. This should not be an issue for an experienced RuneQuest Game Master though, who should also be adapt the scenario to a different tribe should she want to for the purposes of her campaign.

Although it will need a little effort to bring out some of the tensions in the scenario to their fullest,
The Hunt for the Storm Calf is an exciting scenario that offers a good mix of roleplaying opportunities and plenty of action as the Sable Riders race to restore their reputation.

Friday Faction: At Death’s End

The world is dying and everyone knows it. The seas rise and the crops fail and war continues apace without reason, and the peasantry suffers taxes, plague, and worse. The prophecies of the Two-Headed Basilisks are coming to pass and for the great masses huddled on the handful of lands amidst the Endless Sea, there is no hope, only despair. Some take advantage of this empirical ennui, using the strength of their arms, to take what they want, pillaging and plundering gold and jewels, food and wine, and more—to make the time before the end, whether months, weeks, or days, at least less unpleasant, if not actually comfortable, even if this comes at the cost of the comfort, and likely the lives, of others. It is not enough for some. Three men make their way to a cemetery. The first is Lord Arrant von Shatten, a prince with something dark and offering power attached to his soul. The second is the soldier, Alstor Ironhead. The third is the dissolute wizard, Snaga. At the centre of the cemetery stands the Gates of Eternity, beyond which, if they can be opened, lie a dungeon and beyond that, on the other side of time and reason, at Death’s End, is the key and gate’s guardian. Confront them perhaps and they will find a destiny that transcends the fate that will befall the rest of the world.

The story of the three men is told in At Death’s End, a graphic novel set in a world that will be familiar to the roleplaying hobby. This is Mörk Borg, the Swedish pre-apocalypse Old School Renaissance style roleplaying game designed by Ockult Örtmästare Games and Stockholm Kartell and published by Free League Publishing. Written by Alex Jarcor and drawn by Chucho Mendoza and published by Sanity Check, this is a graphic novel that takes the reader far from the failing world, somewhere that is never depicted, but only hinted at in the setting of the roleplaying game. It is a gruelling journey, often pushing the protagonists to call upon themselves in ways that they would otherwise forget as they first seek to open and enter the gate before anyone else can and then march across the deserts of death in search of their desired destinies. Lord Arrant von Shatten wishes for the restoration of his kingdom and to be rid of the thing that leeches his soul and whispers promises of power in his ear (much like the sword Stormbringer does to Elric of Melniboné); Snaga wants to be recognised for his power and his thwarting of death; and Alstor Ironhead desires to be free of his bloody past as a soldier. In comparison to the options presented in terms of what you can play in Mörk Borg, these three are not grotesques, but they are each flawed and failed men. They arrive at their intended destination bruised, battered, and bloody, just as you would expect from a Mörk Borg tale, and once there, they do each achieve their destiny, though of course, not necessarily as they imagined. In this way, and in showing the journey through the Gates of Eternity to Death’s End, the Game Master could take inspiration should her Player Characters ever aspire to escape the fate that the mortal world otherwise has for them

If the endgame is perhaps familiar, getting there is a story of desperate violence, bloody and brutal even as the protagonists are trying to escape it. There is a tightness to Mendoza’s artwork and Jarcor’s writing that again and again explodes into swathes of frenzied action and savagery, as the three men are forced to rely on what has enabled them to make the journey, but now want to escape. At Death’s End is a dark and disturbing story that takes the protagonists and the reader to places only previously imagined in Mörk Borg, yet leaves it open for further tales that will perhaps explore its wider, doom-wracked world.

Monday, 2 November 2026

Miskatonic Monday #472: Warm Transfer

Much like the Jonstown Compendium for RuneQuest: Roleplaying in Glorantha and The Companions of Arthur for material set in Greg Stafford’s masterpiece of Arthurian legend and romance, Pendragon, the Miskatonic Repository for Call of Cthulhu, Seventh Edition is a curated platform for user-made content. It is thus, “...a new way for creators to publish and distribute their own original Call of Cthulhu content including scenarios, settings, spells and more…” To support the endeavours of their creators, Chaosium has provided templates and art packs, both free to use, so that the resulting releases can look and feel as professional as possible. To support the efforts of these contributors, Miskatonic Monday is an occasional series of reviews which will in turn examine an item drawn from the depths of the Miskatonic Repository.

—oOo—
Publisher: Chaosium, Inc.
Authors:
Christopher Vu Gandin Le

Setting: Tonight
Product: One-shot
What You Get: Twenty-five page, 2.67 MB Full Colour PDF
Elevator Pitch: Call centre of madness
Plot Hook: What if the medium becomes the Mythos?
Plot Support: Staging advice, six NPCs, and three handouts.

Production Values: Clear

Pros
# One shift of escalating weirdness
# Familiar setting
# Telephonophobia
# Logophobia
# Ergophobia

Cons
# Scenario plot and plotting could be clearer
# No pre-generated Investigators
# Portraits do not always match

Conclusion
# Workplace horror that uses the medium to infect with the message
# Prompt-like organisation makes it feel underwritten

Miskatonic Monday #471: An Ominous Herald

Much like the Jonstown Compendium for RuneQuest: Roleplaying in Glorantha and The Companions of Arthur for material set in Greg Stafford’s masterpiece of Arthurian legend and romance, Pendragon, the Miskatonic Repository for Call of Cthulhu, Seventh Edition is a curated platform for user-made content. It is thus, “...a new way for creators to publish and distribute their own original Call of Cthulhu content including scenarios, settings, spells and more…” To support the endeavours of their creators, Chaosium has provided templates and art packs, both free to use, so that the resulting releases can look and feel as professional as possible. To support the efforts of these contributors, Miskatonic Monday is an occasional series of reviews which will in turn examine an item drawn from the depths of the Miskatonic Repository.

—oOo—
Publisher: Chaosium, Inc.
Authors:
Kat Clay

Setting: Third Century CE, Ancient Rome
Product: Scenario
What You Get: Forty-eight page, 18.20 KB Full Colour PDF
Elevator Pitch: Recognition places the life of the Emperor and the future of the Empire in their hands
Plot Hook: A comet in the sky heralds great change as a murder mystery plays out at the Emperor’s party
Plot Support: Staging advice, six pre-generated Investigators, four NPCs, seven handouts, two maps, one Mythos spell, and three Mythos monsters.

Production Values: Excellent

Pros
# Murder mystery with the fate of the empire at stake
# Highly detailed scenario
# Potentially places the Investigators at the Emperor’s command
# Includes some nasty set pieces
# Investigators can win big, even the empire loses!
# Oneirophobia
# Ophidiophobia
# Toxiphobia

Cons
# Requires experienced Investigators
# A lot for the Keeper to prepare
# Some of the individual locations could have been benefited from maps

Conclusion
# Imperial party turns to peril as the omens look inauspicious
# The grandest of cosy ‘country house’ murder mysteries in Ancient Rome with an evil streak
# Reviews from R’lyeh Recommends

Miskatonic Monday #470: Penguin One is Down

Much like the Jonstown Compendium for RuneQuest: Roleplaying in Glorantha and The Companions of Arthur for material set in Greg Stafford’s masterpiece of Arthurian legend and romance, Pendragon, the Miskatonic Repository for Call of Cthulhu, Seventh Edition is a curated platform for user-made content. It is thus, “...a new way for creators to publish and distribute their own original Call of Cthulhu content including scenarios, settings, spells and more…” To support the endeavours of their creators, Chaosium has provided templates and art packs, both free to use, so that the resulting releases can look and feel as professional as possible. To support the efforts of these contributors, Miskatonic Monday is an occasional series of reviews which will in turn examine an item drawn from the depths of the Miskatonic Repository.

—oOo—
Publisher: Chaosium, Inc.
Authors:
Kevin Kreiner

Setting: Arctic Canada, 1955
Product: Scenario
What You Get: Forty-eight page, 28.45 KB Full Colour PDF
Elevator Pitch: At the ‘Mountain’ of Madness
Plot Hook: A race to rescue the survivors and secrets of downed aeroplane before the Russians do
Plot Support: Staging advice, eight pre-generated Investigators, four NPCs, two handouts, two maps, one deckplan, one Mythos spell, and two Mythos monsters.

Production Values: Good

Pros
# Cold War era rescue mission at the top of the world
# Straightforward to run
# Could be run in conjunction with Delta Green: The Role-Playing Game or The Fall of DELTA GREEN
# Mucophobia
# Chionophobia
# Cryptophobia

Cons
# Needs a slight edit
# No NPC stats
# Personnel dossiers a little too personal

Conclusion
# Desperate Cold War mission in the mode of Ice Station Zebra
# Needs slightly more preparation than it should 

Miskatonic Monday #469: Tournament of Shadows – Book 1 – Campaign Guide

Much like the Jonstown Compendium for RuneQuest: Roleplaying in Glorantha and The Companions of Arthur for material set in Greg Stafford’s masterpiece of Arthurian legend and romance, Pendragon, the Miskatonic Repository for Call of Cthulhu, Seventh Edition is a curated platform for user-made content. It is thus, “...a new way for creators to publish and distribute their own original Call of Cthulhu content including scenarios, settings, spells and more…” To support the endeavours of their creators, Chaosium has provided templates and art packs, both free to use, so that the resulting releases can look and feel as professional as possible. To support the efforts of these contributors, Miskatonic Monday is an occasional series of reviews which will in turn examine an item drawn from the depths of the Miskatonic Repository.

—oOo—
Publisher: Chaosium, Inc.
Author: James Killick

Setting: London, India, & Syria 1893
Product: Campaign introduction for Cthulhu by Gaslight
What You Get: Twenty-two page, 1.84 MB Full Colour PDF
Elevator Pitch: Keeper’s guide to the Tournament of Shadows campaign
Plot Hook: Her Majesty’s empire, if not the world, is endangered
Plot Support: Staging advice, four pre-generated Investigators,
ten NPCs, one Mythos tome, and seven Mythos artefacts.
Production Values: Excellent

Tournament of Shadows – Book I: Campaign Guide is the introduction to, and reference for, Tournament of Shadows, a campaign set in 1893 and thus for Cthulhu by Gaslight, which will take the Investigators from London to Syria via the British Raj. In doing so, it explores a conspiracy that is not only a threat to the British Empire, but also the world and whose history lies in the politics of the Crusades and the ancient Harrapan Civilisation dating back millennia. The campaign consists of The Limehouse Piper, the optional introduction and prelude to the campaign (which could be run as a standalone scenario without the Keeper actually running the campaign), followed by Tournament of Shadows – Book II: England, Tournament of Shadows – Book III: India, and Tournament of Shadows – Book IV: Syria. Of the three core parts, the first and second parts visit locations that will be in parts familiar for Cthulhu by Gaslight, whilst the third explores a region rarely visited by Call of Cthulhu, let alone Cthulhu by Gaslight!

Tournament of Shadows – Book I: Campaign Guide gives a good overview for the campaign and its background, including its detailed historical background. There is a clear presentation of the aims and natures of the cults driving its plot, Al-Assadeen and Ek Hazaar Jawaan, and their Mi-Go allies, as well as what the Investigators need to do to defeat those aims. This is accompanied by timelines of their activities as well as a master timeline for the campaign that runs from the late twelfth century to the beginning of the campaign in late 1893. Plus there are also descriptions of the NPCs involved in the campaign, for good or ill, and all of the artefacts which play a role in the campaign. The artefacts can roughly be divided between those whose origins lie in the Harrapan Civilisation (which would be identified or known about until the nineteen twenties) and those used by the Mi-Go, the latter adding a technological horror element to the campaign.

Perhaps the most notable NPC included in the campaign is the Norwegian explorer, Sigerson, who in fact, is not the Norwegian explorer, Sigerson, but actually the famed consulting detective, Sherlock Holmes, who is known to have travelled to Lhasa in Tibet during this period, following his defeat of Professor Moriarty and supposed death at the Reichenbach Falls as detailed in ‘The Adventure of the Final Problem’. How much of a role he plays in the campaign proper remains to be seen, but with the campaign already having skirted around the Jack the Ripper murders of a decade before, the inclusion of Sherlock Holmes pushes the tone of the campaign towards more Pulp sensibilities. It may be a case that he appears as Sigerson only, and thus a nice reference for players who are Sherlock Holmes fans, but it could be more.

The advice for the Keeper is solid. This covers reminding players of the clues that their Investigators have found, having the players each prepare two linked Investigators since the campaign is punishing, encouraging the players (and their Investigators) to keep notes and records, and so on. In terms of Investigator design, it suggests that a British or Indian Army officer will be useful, whilst explaining that an aristocrat might not be wholly suitable given his status and duties. It does not go any further than that in terms of Investigators types and roles that the players could create for the campaign and that perhaps is its biggest omission.

There are overviews too, the government and authority figures of the period—in Great Britain, India, and Syria—though whether or not the Investigators will meet some of them is another matter. The likelihood though, is that the players are going to be more interested in the sections on the weapons that their Investigators may be wielding and/or may encounter during the course of the campaign. It notes that the majority of readily available firearms are going to be black powder guns and not the modern Martini-Henry or Lee-Metford (Mark I) rifles that the players might otherwise want. Included too are the Bandukh Torador and Jezzail rifles of the subcontinent and various melee weapons of the Levant and India. It otherwise suggests that the Keeper and her players refer to Cthulhu by Gaslight: Investigators’ Guide – Mysteries & Frights in the Victorian Age and Investigator Weapons Volume 3: Gaslight Era for further details.

Rounding out Tournament of Shadows – Book I: Campaign Guide is a good bibliography, including both fiction and non-fiction. This covers all three regions where it is set, but also sources for India for Call of Cthulhu. It is undoubtedly useful, but does highlight the lack of exploration of the Levant in this period (and Call of Cthulhu in general).

Physically, Tournament of Shadows – Book I: Campaign Guide is cleanly and tidily laid out. Of note are the illustrations, which are very nicely done, imparting a lot of flavour and character, whether of the artefacts in the campaign or the NPCs.

The oddity with Tournament of Shadows – Book I: Campaign Guide is perhaps that both it and the actual chapters of the campaign are available separately, rather than as a single combined volume as per other campaigns for Call of Cthulhu (though of course, they are available as a bundle). The only omission is a discussion of what Investigator types and Occupations might be suitable beyond the military officer and the potential problems with including an aristocrat. Otherwise, the Tournament of Shadows – Book I: Campaign Guide does everything that you expect it to, providing the Keeper with the basics of everything she needs to know as part of her preparation for the campaign.